KPOP - Mack Scogin + 宗邁建築師事務所

設計競圖、競賽及獎項、公共工程標案、私人招標相關資訊
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KPOP - Mack Scogin + 宗邁建築師事務所

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高雄「海洋文化及流行音樂中心」國際競圖
Kaohsiung Maritime Cultural & Popular Music Center International Competition


佳作2:
投標廠商:Mack Scogin 國籍:美國
共同投標廠商:宗邁建築師事務所/費宗澄 國籍:中華民國

Honorable Mention-2:
Tenderer: Mack Scogin Nationality: U.S.A.
Joint Tenderer: Fei & Cheng Associates/Philip T.C. Fei Nationality: R.O.C

設計概念 Design Concepts

我們的概念是創造一個動態的垂直水平公共空間 ─ 二十四小時都能吸引訪客的建築。不論白天與晚上,愛河與高雄港的反射鏡面作用則加乘了建築,成為提案的整體。在白天,高雄海洋文化與流行音樂中心以天空為背景成為標誌性的輪廓。而在夜晚,中心成為發亮的景點,活躍於大尺度的天幕。

兩個最主要的機能元素,流行音樂中心與海洋文化展示中心,分別位居於愛河口的兩側,並有一連接性結構統合。其中較大的流行音樂中心位於愛河東側,藉著另一個位於西側的海洋文化展示中心產生的“拖船效應"與橫越兩者之間連結性結構的牽引/張力線而佇立。這樣的複合式建築策略性地座落於愛河視覺上最重要的位置。 流行音樂中心則坐落於基地北側河道微彎處與城市景觀相對。從高雄港臨水空間走去,其經驗是美妙的。 流行音樂中心的視景將整個提案無疑地整合在高雄城市,甚至是台灣海峽。

藉著垂直聚集機能並將其密集地組織於愛河口兩側,約百分之八十七的基地面積可用於開放式公園空間供一般民眾使用或可供未來增建/發展。 連結既有公園至基地東南與西南側,真實的綠地不但滋養了愛河口,活化了水岸邊界,更提供訪客與市民停留的空間。

雖然機能計畫中嚴格且技術性的定義基地的範圍,但真正為表演空間與公共介面設想的基地應當包括了愛河的水路,高雄港和周邊城市景觀。 整個海洋文化與流行音樂中心與周圍的區域,無論是在地面上與水上,都應當成為流行音樂表演活動與陸地海洋交界慶典中的一員。

此提案特別值得一提的是建築,基地,水路與城市所共同提供的廣大彈性。 大型表演廳與戶外表演區/表演廣場可獨立使用也可同時一起使用。同時一起使用的狀況下可將嶄新的表演潛能變成可能,大約可容納三千五百名至一萬七千名觀眾。 當港口裡的船隻或位於表演之景的民眾可看見表演時,此觀眾數字更可實質地增加。 採用浮動舞台或駁船從南側舞台延伸的方式更可為海洋文化與表演提供新的可能。 在陸地上,整個城市則藉由音樂盒立面上的大型投影參與中心的各項活動。

The concept is that of a dynamic, vertical-horizontal public space—a twenty-four-hour attraction. Both day and night, the reflective mirror effect of the Love River and Kaohsiung Harbor double the presence of the complex. By day the Center is an iconic silhouette against the Kaohsiung sky and by night a luminous showplace, an animated marquee on a grand scale.

The two major components of the program, the Pop Music Center and the Marine Culture Exhibit Center, are deployed on either side of the mouth of the Love River and joined by a Connective Structure. The larger of the two components, the Pop Music Center, on the east side of the river, is held in check at the wharf by the “tugboat effect” of the Marine Culture Exhibit Center on the west and by the tow / tension line of the Connective Structure spanning between. The complex sits strategically at the most visually prominent location on the Love River. A slight bend in the river just north of the site exposes the Pop Music Center tower to the cityscape to the north. By water from the Port of Kaohsiung, the approach is spectacular. Views from the Pop Music Center fix the project definitively in Kaohsiung City and on Taiwan Strait.

By aggregating program elements vertically and positioning them tight against both sides of the mouth of the Love River, approximately eighty-seven percent of the site is reserved as open park space for public use or for future expansion / development. In conjunction with the existing parks to the southeast and southwest, a substantial green swath nurtures the river’s mouth and provides a revitalized water’s edge for the people of Kaohsiung City and their visitors.

Although the site is strictly and technically defined in the program, the actual site for performance and public interface includes the waterways of the Love River and Kaohsiung Harbor and the surrounding cityscape. The entire district around the Maritime Cultural and Popular Music Center, whether earth or water, is party to the celebration of popular music and performance and the land-ocean juncture.

Of particular note is the unique expansive flexibility that the building, the site, the waterways and the city offer for performance. The Large Performance Hall and the Outdoor Performance Area / Performance Plaza may be used separately and simultaneously or joined together. Their joint use creates the possibility for inventive new performance potentials with audience capacities ranging from 3,500 people to as many as 17,000. This number increases substantially when the performance is seen by any number of boats in the Harbor and people gathered at Performance Prospect. A floating stage or barge extending from the south stage aperture expands the stage once again, this time for marine performance possibilities. On the land side, the city participates in the Center events via large projections on the Music Box facades.

競圖提案圖面
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Mack Scogin + 宗邁建築師事務所 - KPOP 高雄海洋文化及流行音樂中心國際競圖提案 01

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Mack Scogin + 宗邁建築師事務所 - KPOP 高雄海洋文化及流行音樂中心國際競圖提案 02

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Mack Scogin + 宗邁建築師事務所 - KPOP 高雄海洋文化及流行音樂中心國際競圖提案 03

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Mack Scogin + 宗邁建築師事務所 - KPOP 高雄海洋文化及流行音樂中心國際競圖提案 04

服務團隊簡介 Team Profile

Mack Scogin and Merrill Elam

麥克史考金是位於喬治亞州亞特蘭大市 Mack Scogin Merrill Elam 建築師事務所的合夥人, 也是哈佛大學設計學院 Kajima 榮譽教授,並於一九九零至一九九五年間擔任建築系系主任. 麥瑞爾伊蘭是另一名合夥人, 除了經常性地教學與四處演講, 並曾擔任哈佛大學與南加州大學的客座老師, 也是芝加哥伊利諾大學建築系 Louis Henri Sullivan 客座教授, 耶魯大學建築系 William Henri Bi shop 客座教授與維吉尼亞大學建築系 Harry S. Shure 客座教授. 他們於一九九五年獲頒美國藝術學院建築學院獎, 一九九六年克萊斯勒設計創新獎, 二零零六年波士頓建築師協會海爾斯頓獎章與二零零八年英國皇家建築師榮譽獎.此外, Mack Scogin Merrill Elam 建築師事務所的的建築案曾榮獲超過五十項設計獎,包括七項美國國家建築師傑出獎. 他們的建築作品經常刊載在許多當代與學術性雜誌, 包括一九九二年 Rizzoli 出版 Scogin Elam and Bray: Critical Architecture / Architectural Criticism 一九九九年密西根大學出版 Mack & Merrill 二零零五年普林斯頓建築出版社 Mack Scogin Merrill Elam: Knowlton Hall. 另外,他們的作品也曾在許多博物館與藝廊中展覽, 包括當代藝術館,沃克藝術中心,偉克斯納藝術中心,巴塞隆納當代藝術中心,德國法蘭克福建築博物館以及日本東西全球建築藝廊.近期的建築案包括德州奧斯丁新美國聯邦法院, 哈佛大學公有空間與可行性研究, 賽拉庫斯大學新學生集合住宅,耶魯大學健康中心,卡內基美隆大學資訊工程蓋茲中心,加拿大多倫多下城水岸空間規劃,克里姆遜大學 Carroll A. Campbell Jr. 工程研究中心, 威爾斯利大學 Lulu Chow Wang 校園中心與 Davis Garage, 俄亥俄州立大學諾頓建築學校,加州大學柏克萊分校 Jean Gray Hargrove 音樂圖書館,喬治亞坎頓 Herman Miller Cherokee 營運設施,中國上海 Zhongkai Sheshan 別墅, 印度海德拉巴 Tishman Speyer Properties 的數個建築案,此外他們在紐約,亞特蘭大,與巴西里約熱內盧也有建築設計案.

Mack Scogin and Merrill Elam

Mack Scogin is a principal n the firm of Mack Scogin Merrill Elam Architects, Inc. n Atlanta, Georgia. He is the Kajima Professor in the Practice of Architecture at the Harvard University Graduate School of Design where he was the Chairman of the Department of Architecture from 1990 to 1995. Merrill Elam s a principal n the firm of Mack Scogin Merrill Elam Architects, Inc. in Atlanta, Georgia. In addition to her practice she lectures and teaches frequently, having served as a Visiting Critic at the Harvard University Graduate School of Design and SCI-ARC, Southern California Institute of Architecture; as the Louis Henri Sullivan Research Professor of Architecture at the University of Illinois at Chicago; the William Henry Bishop Visiting Professor of Architectural Design at Yale University and the Harry S. Shure Visiting Professor in Architecture at the University of Virginia. Together, they received the 1995 Academy Award n Architecture from the American Academy of Arts and Letters, a 1996 Chrysler Award for Innovation in Design, the 2006 Boston Society of Architects Harleston Parker Medal and a 2008 Honorary Fellowship n the Royal Institute of British Architects (RIBA). Projects by Mack Scogin Merrill Elam Architects have received over fifty design awards ncluding seven national American Institute of Architects Awards of Excellence. Their work has been widely featured n popular and academic publications on architecture including the 1992 Rizzoli publication, Scogin Elam and Bray: Critical Architecture / Architectural Criticism, the 1999 University of Michigan publication Mack & Merrill and the 2005 Princeton Architectural Press publication Mack Scogin Merrill Elam: Knowlton Hall. Their work has been exhibited at many museums and galleries including: Museum of Modern Art; Walker Art Center; Wexner Center for the Arts; Museum of Contemporary Art n Barcelona, Spain; Deutches Architektur Museum n Frankfurt, Germany; and the Global Architecture Gallery n Tokyo, Japan. Recent projects include the new United States Federal Courthouse in Austin, Texas; the Common Spaces Feasibility Study for Harvard University Cambridge Campus; New Student Housing at Syracuse University; the Yale University Health Services Center; the Gates Center for Computer Science at Carnegie Mellon University; master planning services for the Lower Don Lands for Waterfront Toronto n Toronto, Canada; the Carroll A. Campbell Jr. Graduate Engineering Center at Clemson University; the Lulu Chow Wang Campus Center and Davis Garage for Wellesley College; the Knowlton School of Architecture for The Ohio State University; the Jean Gray Hargrove Music Library for the University of California at Berkeley; the Herman Miller Cherokee Operations Facility n Canton, Georgia; the Zhongkai Sheshan Villas n Shanghai , China; and various projects for Tishman Speyer Properties in Hyderabad, India; New York, New York; Atlanta, Georgia and Rio de Janeiro, Brazil.

宗邁建築師事務所簡介

宗邁建築師為綜合性建築設計機構,服務項目包括建築設計、土地開發計劃、區域規劃、工程顧問、室內設計及景觀設計。

本事務所由費宗澄、陳邁二位建築師聯合於民國六十三年秋成立,於開業之前,兩位主持建築師已於台灣、美國及歐洲累積了學術及訓練及專業的經驗,三十餘年來並集合及儲訓了多方面的設計規劃人員,針對每一個案的規模、特性、經費與時間,組織出具有特性的工作團隊,以符合業主個別的需求。
本事務所之經驗跨越各種尺度與功能之建築物及建築群,包括商業、辦公、住宅、公共設施、醫院、工廠及旅館,亦專精於巨大複雜的工程、規劃及都市設計。本事務所之組織及工作流程經過多年經驗的累積與改進,旨在提供面面俱到的設計。本事務所已完成的主要工程包括台大醫院、榮民總醫院、國科會同步輻射研究中心、國立自然科學博物館、林口中正運動公園綜合體育館。

本事務所致力於揉合我國文化傳統上之優點,及最新的技術與觀念,以先進之電腦設備,輔助提供高效率高品質及造價合理的設計,宗邁建築師與本國之經濟、社會的進步共同成長,經歷過最嚴苛的考驗,並不斷的追求設計上的品質、卓越及進步。

FEI & CHENG ASSOCIATES

Fei & Cheng Associates is an architectural firm providing comprehensive services in building design, land development, regional planning, construction management, interior design and landscape architecture.

The firm was founded in 1974 by Mr. Philip Fei and Mr. Mei Cheng. Both founding partners received academic and professional training in Taiwan, Europe and USA. FCA has assembled multi-disciplinary staff with various expertises. For each project, individual members are carefully selected to reflect the necessary skills for the scope and scale of the project so as to satisfy the client ’s requirements with the given schedule and budget.

FCA has extensive experience in the design of projects of different uses and sizes, including commercial, office, residential, institutional, hospital, industrial and hotel buildings and complexes. FCA is also experienced in large-scale planning and urban design projects. Our organization and methodology ensure that contextually and technologically responsive design solutions are provided. We have completed major buildings such as Taiwan University Hospital Reconstruction, Veteran General Hospital Reconstruction, National Synchrotron Radiation Research Center, The National Museum of Natural Science, and Linkou CKS memorial gymnasium.

The philosophy of the firm is to integrate Chinese cultural value with advanced technology. Supported by advanced computer capabilities, the firm has been working closely with a range of client organizations and providing efficient and cost-effective services. FCA has been sensitive and in pace with rapid social and economic development of this country. We have responded to various challenges and will always be in pursuit of design quality, excellence and innovation.

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