{"id":69446,"date":"2020-06-10T10:08:32","date_gmt":"2020-06-10T02:08:32","guid":{"rendered":"https:\/\/forgemind.net\/media\/?p=69446"},"modified":"2023-10-06T18:01:02","modified_gmt":"2023-10-06T10:01:02","slug":"%e6%8e%a8%e8%96%a6%e6%9b%b8%e5%96%ae-%e7%b5%a6%e5%bb%ba%e7%af%89%e3%80%81%e8%a8%ad%e8%a8%88%e3%80%81%e7%a9%ba%e9%96%93%e7%be%8e%e5%ad%b8%e6%84%9b%e5%a5%bd%e8%80%85","status":"publish","type":"post","link":"https:\/\/forgemind.net\/media\/%e6%8e%a8%e8%96%a6%e6%9b%b8%e5%96%ae-%e7%b5%a6%e5%bb%ba%e7%af%89%e3%80%81%e8%a8%ad%e8%a8%88%e3%80%81%e7%a9%ba%e9%96%93%e7%be%8e%e5%ad%b8%e6%84%9b%e5%a5%bd%e8%80%85\/","title":{"rendered":"\u63a8\u85a6\u66f8\u55ae \u7d66\u5efa\u7bc9\u3001\u8a2d\u8a08\u3001\u7a7a\u9593\u7f8e\u5b78\u611b\u597d\u8005"},"content":{"rendered":"

\u4ee5\u4e0b\u66f8\u55ae\u63a8\u85a6\u7d66\u6240\u6709\u5c0d\u5efa\u7bc9\u3001\u7a7a\u9593\u7f8e\u5b78\u3001\u8a2d\u8a08\u6709\u8208\u8da3\u7684\u670b\u53cb\u5011\u3002<\/p>\n

\u5982\u679c\u4f60\u6253\u7b97\u8981\u6e96\u5099\u5b78\u58eb\u5f8c\u5efa\u7bc9\u78a9\u58eb(M. Arch 1)\uff0c\u52c9\u52f5\u4f60\u5584\u7528\u6642\u9593\uff0c\u5f9e\u6b64\u4efd\u66f8\u55ae\u4e2d\u4f60\u6709\u8208\u8da3\u3001\u770b\u5f97\u61c2\u7684\u66f8\u958b\u59cb\u95b1\u8b80\uff0c\u8207\u5176\u5230\u88dc\u7fd2\u73ed\u5b78\u7fd2\u7f8e\u5de5\u5716\u3001\u6548\u679c\u5716\u3001\u88dd\u4fee\u8a2d\u8a08\u3001\u5ba4\u5167\u8a2d\u8a08<\/a>..\u7b49\uff0c\u9084\u4e0d\u5982\u5c07\u9322\u7701\u4e0b\u4f86\u8cb7\u66f8\uff0c\u4ee5\u81ea\u6211\u6210\u9577\u7684\u65b9\u5f0f\u8e0f\u51fa\u7b2c\u4e00\u6b65\u3002<\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u7f8e\u611f\u990a\u6210\u76f8\u95dc\u66f8\u7c4d<\/h2>\n

\u66f8\u540d\uff1a\u300a\u5982\u4f55\u57f9\u990a\u7f8e\u611f\u300b<\/a>
\n\u4f5c\u8005\uff1a\u6f22\u5bf6\u5fb7<\/a><\/p>\n

\u66f8\u540d\uff1a\u300a\u6f22\u5bf6\u5fb7\u8ac7\u7f8e\u300b<\/a>
\n\u4f5c\u8005\uff1a\u6f22\u5bf6\u5fb7<\/a><\/p>\n

\u66f8\u540d\uff1a\u300a\u8ac7\u7f8e\u611f\u300b<\/a>
\n\u4f5c\u8005\uff1a\u6f22\u5bf6\u5fb7<\/a><\/p>\n

\u66f8\u540d\uff1a\u300a\u65e5\u672c\u7684\u8a2d\u8a08\uff1a\u85dd\u8853\u3001\u7f8e\u5b78\u8207\u6587\u5316\u300b<\/a>
\n\u4f5c\u8005\uff1a \u6d3e\u7fe0\u897f\u4e9e.J.\u683c\u62c9\u7f55 PATRICIA J. GRAHAM
\n\u8b6f\u8005\uff1a \u5f35\u5bc5, \u9280\u8c54\u4fe0
\n\u51fa\u7248\u793e\uff1a\u9060\u8db3\u6587\u5316 <\/p>\n

\u66f8\u540d\uff1a\u300aWabi-Sabi\uff1a\u7d66\u8a2d\u8a08\u8005\u3001\u751f\u6d3b\u5bb6\u7684\u65e5\u5f0f\u7f8e\u5b78\u57fa\u790e Wabi-Sabi: for Artists, Designers, Poets \uff06 Philosophers\u300b<\/a>
\n\u4f5c\u8005\uff1a \u674e\u6b50\u7d0d\uff0e\u79d1\u4ec1 Leonard Koren
\n\u8b6f\u8005\uff1a \u8521\u7f8e\u6dd1
\n\u51fa\u7248\u793e\uff1a\u884c\u4eba<\/p>\n

\u66f8\u540d\uff1a\u300a\u91cd\u8fd4\uff37abi-Sabi\uff1a\u7d66\u65e5\u5f0f\u751f\u6d3b\u611b\u597d\u8005\u7684\u7f8e\u5b78\u601d\u8003 Wabi-Sabi: Further Thoughts\u300b<\/a>
\n\u4f5c\u8005\uff1a \u674e\u6b50\u7d0d\uff0e\u79d1\u4ec1 Leonard Koren
\n\u8b6f\u8005\uff1a \u9ec3\u715c\u6587
\n\u51fa\u7248\u793e\uff1a\u884c\u4eba<\/p>\n

\u66f8\u540d\uff1a\u300a\u7f8e\u5b78\u7684\u610f\u7fa9\uff1a\u95dc\u65bc\u7f8e\u7684\u5341\u7a2e\u8868\u73fe\u8207\u9ad4\u9a57 Which \uff02aesthetics\uff02 Do You Mean? Ten Definitions\u300b<\/a>
\n\u4f5c\u8005\uff1a \u674e\u6b50\u7d0d\uff0e\u79d1\u4ec1 Leonard Koren
\n\u8b6f\u8005\uff1a \u8607\u6587\u541b
\n\u51fa\u7248\u793e\uff1a\u884c\u4eba <\/p>\n

\u66f8\u540d\uff1a\u300a\u64fa\u653e\u7684\u65b9\u5f0f\uff1a\u5b89\u6392\u7269\u4ef6\u7684\u4fee\u8fad Arranging Things: A Rhetoric of Object Placement\u300b<\/a>
\n\u4f5c\u8005\uff1a \u674e\u6b50\u7d0d\uff0e\u79d1\u4ec1 Leonard Koren\u8b6f\u8005\uff1a \u85cd\u66c9\u9e7f
\n\u7e6a\u8005\uff1a \u5a1c\u59b2\u8389\u2027\u675c\u5df4\u65af\u5409\u8036
\n\u51fa\u7248\u793e\uff1a\u884c\u4eba <\/p>\n

\u66f8\u540d\uff1a\u300a\u9670\u7ff3\u79ae\u8b9a\u300b<\/a>
\n\u4f5c\u8005\uff1a\u8c37\u5d0e\u6f64\u4e00\u90ce
\n\u8b6f\u8005\uff1a\u674e\u5c1a\u9716
\n\u66f8\u540d\uff1a\u300a\u7a7a\u9593\u8a69\u5b78 The Poetic of Space\u300b<\/a>
\n\u4f5c\u8005\uff1aGaston Bachelard \u52a0\u65af\u6771\uff0e\u5df4\u8b1d\u62c9
\n\u8b6f\u8005\uff1a\u9f94\u5353\u8ecd<\/p>\n

\u66f8\u540d\uff1a\u300a\u65e5\u672c\u7f8e\u5b781\uff1a\u7269\u54c0\uff1a\u6afb\u82b1\u843d\u4e0b\u5f8c \u5927\u897f\u514b\u79ae\u7f8e\u5b78\u30b3\u30ec\u30af\u30b7\u30e7\u30f3. 1(\u5e7d\u7384\u30fb\u3042\u306f\u308c\u30fb\u3055\u3073)\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5927\u897f\u514b\u79ae
\n\u8b6f\u8005\uff1a \u738b\u5411\u9060\u51fa\u7248\u793e\uff1a\u4e0d\u4e8c\u5bb6 <\/p>\n

\u66f8\u540d\uff1a\u300a\u65e5\u672c\u7f8e\u5b782\uff1a\u5e7d\u7384\uff1a\u8584\u660e\u4e4b\u68ee\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5927\u897f\u514b\u79ae
\n\u8b6f\u8005\uff1a \u738b\u5411\u9060
\n\u51fa\u7248\u793e\uff1a\u4e0d\u4e8c\u5bb6 <\/p>\n

\n

\u89c0\u5bdf\u80fd\u529b\u8207\u624b\u7e6a\u80fd\u529b\u4e4b\u990a\u6210\uff0c\u63a8\u85a6\u66f8\u7c4d<\/h2>\n

\u66f8\u540d\uff1a\u300a\u5256\u958b\u4e16\u754c\u73fe\u4ee3\u5efa\u7bc9\uff1a7\u5927\u7d50\u69cb\u8207\u4ee3\u8868\u5efa\u7bc9\uff0c\u900f\u8996\u7a7a\u9593\u3001\u4eba\u8207\u74b0\u5883\u7684\u65b0\u5efa\u7bc9\u4e4b\u773c Manual of Section
\n\u300b<\/a>
\n\u4f5c\u8005\uff1a Paul Lewis, Marc Tsurumaki, David J. Lewis
\n\u8b6f\u8005\uff1a \u5433\u8389\u541b
\n\u51fa\u7248\u793e\uff1a\u539f\u9ede<\/p>\n

\u66f8\u540d\uff1a\u300a\u73fe\u4ee3\u5efa\u7bc9\u5143\u7d20\u89e3\u5256\u66f8\uff1a\u624b\u7e6a\u62c6\u89e3\u5efa\u7bc9\u8a2d\u8a08\u4e4b\u7f8e\u8207\u7d50\u69cb\u5de7\u601d\uff0c\u6df1\u5ea6\u81e5\u904a\u89f8\u767c\u9748\u601d The Elements of Modern Architecture: Understanding Contemporary Buildings\u300b<\/a>
\n\u4f5c\u8005\uff1a Antony Radford\u3001Selen Morko\u00e7\u3001Amit Srivastava
\n\u8b6f\u8005\uff1a \u5f35\u7d18\u805e
\n\u51fa\u7248\u793e\uff1a\u9ea5\u6d69\u65af<\/p>\n

\u66f8\u540d\uff1a\u300a\u756b\u57ce\u5e02\uff1a\u8ddf\u8457\u5efa\u7bc9\u5e2b\uff0c\u8a8d\u8b58\u5168\u7403\u7279\u8272\u57ce\u5e02\uff06\u53cb\u5584\u8a2d\u8a08\uff0c\u756b\u51fa\u4f60\u7684\u5149\u69ae\u57ce\u5e02 Archidoodle City\u300b<\/a>
\n\u4f5c\u8005\uff1a \u53f2\u5e1d\u592b\uff0e\u6ce2\u51f1\u7279 Steve Bowkett
\n\u8b6f\u8005\uff1a \u5433\u8389\u541b
\n\u7e6a\u8005\uff1a Steve Bowkett
\n\u51fa\u7248\u793e\uff1a\u539f\u9ede<\/p>\n

\u66f8\u540d\uff1a\u300a\u756b\u5efa\u7bc9\uff1a\u7d66\u611b\u84cb\u623f\u5b50\u7684\u4eba\uff0c\u756b\u4e00\u904d\uff0c\u4f60\u5c31\u61c2\u4e86\u4ec0\u9ebc\u662f\u5efa\u7bc9\u8a2d\u8a08 Archidoodle\u300b<\/a>
\n\u4f5c\u8005\uff1a \u53f2\u5e1d\u592b\uff0e\u6ce2\u51f1\u7279 Steve Bowkett
\n\u8b6f\u8005\uff1a \u5433\u8389\u541b
\n\u7e6a\u8005\uff1a Steve Bowkett
\n\u51fa\u7248\u793e\uff1a\u539f\u9ede<\/p>\n

\"\u5716\u6a94\"<\/p>\n

Architecture for Beginn<\/a>ers \u7d66\u5efa\u7bc9\u5e2b\u57f7\u696d\u3001\u5efa\u7bc9\u8a2d\u8a08\u5de5\u4f5c\u8005\u53c3\u8003\u66f8<\/p>\n

\u66f8\u540d\uff1a\u300a\u53f2\u4e0a\u6700\u5f37\uff01\u5efa\u7bc9\u73fe\u5834\u65bd\u5de5\u5168\u89e3\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5efa\u7bc9\u77e5\u8b58
\n\u8b6f\u8005\uff1a \u77f3\u570b\u745c
\n\u51fa\u7248\u793e\uff1a\u9ea5\u6d69\u65af<\/p>\n

\u66f8\u540d\uff1a\u300a\u4e16\u754c\u9802\u5c16\u5efa\u7bc9\u5e2b\u5de5\u4f5c\u73fe\u5834\uff1a\u6df1\u5165\u5927\u5e2b\u9663\u71df\uff0c\u6d1e\u6089\u4e00\u6d41\u4e8b\u52d9\u6240\u7684\u5de5\u4f5c\u4e4b\u9053\u300b<\/a>
\n\u4f5c\u8005\uff1a \u6c5f\u6751\u82f1\u54f2, \u83c5\u539f\u7531\u4f9d\u5b50, \u65e5\u7d93\u5efa\u7bc9
\n\u8b6f\u8005\uff1a \u6851\u7530\u5fb7
\n\u51fa\u7248\u793e\uff1a\u539f\u9ede <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u8a08\u756b\uff1a\u4e00\u500b\u5f9e\u7121\u5230\u6709\u7684\u8a2d\u8a08\u601d\u8003\u904e\u7a0b\u8207\u53ef\u884c\u4e4b\u9053\uff082\u7248\uff09\u300b<\/a>
\n\u4f5c\u8005\uff1a \u674e\u5cfb\u9716, \u838a\u4ea6\u5a77
\n\u51fa\u7248\u793e\uff1a\u4e94\u5357<\/p>\n

\u66f8\u540d\uff1a\u300a\u65b0\u624b\u5efa\u7bc9\u5e2b\u306e\u6559\u79d1\u66f8\uff1a\u54e1\u5de5\u7ba1\u7406\u2027\u5de5\u5730\u52d8\u67e5\u2027\u696d\u4e3b\u6e9d\u901a\u2027\u8a2d\u8a08\u5be6\u52d9\u2027\u7c21\u5831\u6280\u5de7\u2027\u5de5\u7a0b\u76e3\u9020\uff0c\u65e5\u672c\u4e00\u7d1a\u5efa\u7bc9\u5e2b\u57f7\u696d\u7d93\u71df\u4e4b\u9053\uff0c\u4e00\u6b21\u50b3\u6388\uff01\u300b<\/a>
\n\u4f5c\u8005\uff1a \u98ef\u585a \u8c4a
\n\u8b6f\u8005\uff1a \u6851\u7530\u5fb7
\n\u51fa\u7248\u793e\uff1a\u539f\u9ede <\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u7d66\u5efa\u7bc9\u5165\u9580\u8005\u3001\u6e96\u5099\u5b78\u58eb\u5f8c\u5efa\u7bc9\u78a9\u58eb\u7684\u555f\u767c\u66f8\u7c4d<\/h2>\n

\n\u7f8e\u9e97\u7684\u5efa\u7bc9\u6709\u4eba\u7684\u805a\u96c6
\nUtsukusii Kenchiku ni Hito wa Atsumaru, \u7f8e\u3057\u3044\u5efa\u7bc9\u306b\u4eba\u306f\u96c6\u307e\u308b
\n\u4f5c\u8005\uff1a \u4f0a\u6771\u8c4a\u96c4<\/a>
\n\u8b6f\u8005\uff1a \u8b1d\u5b97\u54f2<\/a>
\n\u51fa\u7248\u793e\uff1a\u9060\u6d41 <\/p>\n

\u6f02\u6d6e\u5e87\u6240\uff1a\u67ef\u6bd4\u610f<\/a>\u6539\u5efa\u7684\u6df7\u51dd\u571f\u8239
\n\u8b6f\u8005\uff1a \u8b1d\u5b97\u54f2<\/a>
\n\u7de8\u8005\uff1a \u9060\u85e4\u79c0\u5e73, \u897f\u5c3e\u572d\u609f
\n\u51fa\u7248\u793e\uff1a\u7530\u5712\u57ce\u5e02 <\/p>\n

\u66f8\u540d\uff1a\u300a\u5716\u89e3\u7da0\u5efa\u7bc9\uff1a\u4e16\u754c\u540d\u5e2b\u7d93\u5178 Green Building Illustrated\u300b<\/a>
\n\u4f5c\u8005\uff1a Francis D. K. Ching, Ian M. Shapiro
\n\u8b6f\u8005\uff1a \u6c5f\u8ecd
\n\u51fa\u7248\u793e\uff1a\u7881\u5cf0<\/p>\n

\u66f8\u540d\uff1a\u300a\u8d70\u5165\uff0e\u8d70\u51fa\uff1aX-site 2014-2020\u300b<\/a>
\n\u4f5c\u8005\uff1a \u81fa\u5317\u5e02\u7acb\u7f8e\u8853\u9928<\/a>
\n\u51fa\u7248\u793e\uff1a\u81fa\u5317\u5e02\u7acb\u7f8e\u8853\u9928<\/a><\/p>\n

\u66f8\u540d\uff1a\u300a\u5716\u89e3\u5efa\u7bc9\u7d50\u69cb\uff1a\u6a23\u5f0f\u3001\u7cfb\u7d71\u8207\u8a2d\u8a08\uff08\u7b2c\u4e8c\u7248\u5168\u8b6f\u672c\uff09\u300b<\/a>
\n\u539f\u8457\uff1a\u7a0b\u5927\u91d1 Francis D. K. Ching, Barry S. Onouye, Douglas Zuberbuhler<\/p>\n

\u66f8\u540d\uff1a\u8a2d\u8a08\u5716\u5b78(\u7b2c\u4e8c\u7248)(\u9644\u5149\u789f)Design Drawing (2nd Edition)<\/a>
\n\u539f\u8457\uff1aFrancis D. K. Ching\u3001Steven P. Juroszek
\n\u8b6f\u8005\uff1a \u6797\u8c9e\u541f
\n\u51fa\u7248\u793e\uff1a\u85dd\u8853\u5bb6<\/p>\n

\u66f8\u540d\uff1aFrancis D.K. Ching \u5efa\u7bc9\u4eba\u5fc5\u5099\u7d93\u5178\u300a\u5716\u89e3\u5efa\u7bc9\u7d50\u69cb\u300b+\u300a\u5716\u89e3\u5efa\u7bc9\u69cb\u9020\u300b\u5957\u66f8
\nBuilding Structures Illustrated: Patterns, Systems, and Design 2nd Edition + Building Construction Illustrated, 5th Edition<\/a>
\n\u539f\u8457\uff1aFrancis D. K. Ching, Barry S. Onouye, Douglas Zuberbuhler
\n\u8b6f\u8005\uff1a \u5f35\u6b63\u745c, \u6797\u4f73\u7469
\n\u51fa\u7248\u793e\uff1a\u6613\u535a\u58eb\u51fa\u7248\u793e <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u7684\u6545\u4e8b The Story of Buildings\u300b<\/a>
\n\u4f5c\u8005\uff1a\u6d3e\u7fe0\u514b\uff0e\u8fea\u502b Patrick Dillon
\n\u8b6f\u8005\uff1a\u5442\u5955\u6b23
\n\u7e6a\u8005\uff1a\u53f2\u8482\u82ac\uff0e\u7562\u65af\u63d0 <\/p>\n

\u66f8\u540d\uff1a\u95b1\u8b80\u5efa\u7bc9\u768472\u500b\u65b9\u5f0f Reading Architecture: A Visual Lexicon<\/a>
\n\u4f5c\u8005\uff1a \u6b50\u6587\uff0e\u970d\u666e\u91d1\u65af Owen Hopkins
\n\u5be9\u5b9a\uff1a\u5f90\u660e\u677e
\n\u8b6f\u8005\uff1a\u5442\u5955\u6b23 <\/p>\n

\u66f8\u540d\uff1a\u6700\u5f8c\u7684\u4eba\u9593\u5834\u3002\u5efa\u7bc9\u7684\u8f49\u6e21\uff1a\u5168\u7403\u5efa\u7bc9\u5e2b\u7528\u544a\u5225\u4f86\u63a2\u8a0e\u751f\u547d\u7684\u5efa\u7bc9\u8a69\u7bc7<\/a>
\n\u4f5c\u8005\uff1a\u5f90\u7d14\u4e00<\/a> <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u70ba\u4f55\u91cd\u8981 Why Architecture Matters<\/a>
\n\u4f5c\u8005\uff1a\u4fdd\u7f85\uff0e\u9ad8\u67cf\u683c Paul Goldberger
\n\u8b6f\u8005\uff1a\u6797\u4fca\u5b8f <\/p>\n

\u66f8\u540d\uff1a\u300a\u73fe\u4ee3\u5efa\u7bc9\u53f2\uff1a\u4e00\u90e8\u6279\u8a55\u6027\u7684\u6b77\u53f2\u300b\uff08Modern architecture:a critical history\uff09<\/a>
\n\u4f5c\u8005\uff1a \u80af\u5c3c\u65af\uff0e\u5bcc\u862d\u666e\u9813 Kenneth Frampton<\/p>\n

\u66f8\u540d\uff1a\u6539\u8b8a\u5efa\u7bc9\u7684100\u500b\u89c0\u5ff5 100 Ideas that Changed Architecture<\/a>
\n\u4f5c\u8005\uff1a\u7406\u67e5\uff0e\u9b4f\u65af\u9813Richard West on
\n\u8b6f\u8005\uff1a\u5433\u8389\u541b <\/p>\n

\u66f8\u540d\uff1a\u300a\u5f31\u7a7a\u9593\uff1a\u5f9e\u9053\u5fb7\u7d93\u770b\u53f0\u7063\u7576\u4ee3\u5efa\u7bc9 Weak Architecture 2: Dao De Jing and Contemporary Taiwanese Architecture\u300b<\/a>
\n\u4f5c\u8005\uff1a\u962e\u6176\u5cb3<\/a> <\/p>\n

\u66f8\u540d\uff1a\u8a2d\u8a08\u5927\u5e2b\uff0c\u4e0d\u662f\u5929\u4e0a\u6389\u4e0b\u4f86\u7684\uff01 Dig-Insight 40+<\/a>
\n\u4f5c\u8005\uff1a\u4e11\u5b9b\u8339 <\/p>\n

\u66f8\u540d\uff1a\u5f31\u5efa\u7bc9\u5f9e\u300a\u9053\u5fb7\u7d93\u300b\u770b\u53f0\u7063\u7576\u4ee3\u5efa\u7bc9<\/a>
\n\u4f5c\u8005\uff1a\u962e\u6176\u5cb3<\/a> <\/p>\n

\u66f8\u540d\uff1a\u69cb\u7bc9\u7684\u7fa4\u50cf\uff1a\u53f0\u7063\u7576\u4ee3\u5efa\u7bc9\u540d\u5bb6\u8a2a\u8ac7\u96c6 PORTRAITS of ARCHI-TECTONICS<\/a>
\n\u7de8\u8457\uff1a\u8b1d\u5b97\u54f2<\/a> <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u7684\u6cd5\u5247\uff1a101\u500b\u770b\u61c2\u5efa\u7bc9\uff0c\u8b93\u751f\u6d3b\u7a7a\u9593\u66f4\u597d\u7684\u9ec3\u91d1\u6cd5\u5247<\/a>
\n\u539f\u6587\u4f5c\u8005\uff1aMatthew Frederick
\n\u8b6f\u8005\uff1a\u5433\u8389\u541b<\/p>\n

\u6e96\u5efa\u7bc9\u4eba\u624b\u672d\u611b\u4f60\u5537 <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\uff1a\u9020\u578b\u3001\u7a7a\u9593\u8207\u79e9\u5e8f Architecture: form, space amd order<\/a>
\n\u539f\u8457\uff1aFrank DK Ching \u7a0b\u5927\u91d1
\n\u4f5c\u8005\uff1a\u7a0b\u5927\u9326 <\/p>\n

\u66f8\u540d\uff1a\u7d66\u9752\u5e74\u5efa\u7bc9\u5e2b\u7684\u4fe1<\/a>
\n\u4f5c\u8005\uff1a\u6f22\u5bf6\u5fb7<\/a> <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u5b78\u768414\u9053\u918d\u9190\u5473<\/a>
\n\u4f5c\u8005\uff1a\u5b89\u85e4\u5fe0\u96c4<\/a>\u3001\u77f3\u5c71\u4fee\u6b66<\/a>\u3001\u6728\u4e0b\u76f4\u4e4b\u3001\u4f50\u4f50\u6728\u7766\u6717\u3001\u6c34\u6d25\u7267\u5b50\u3001\u9234\u6728\u535a\u4e4b\u3001\u59b9\u5cf6\u548c\u4e16<\/a>\u3001\u897f\u6fa4\u82f1\u548c\u3001\u85e4\u68ee\u7167\u4fe1<\/a>\u3001\u677e\u6751\u79c0\u4e00\u3001\u677e\u5c71\u5dd6
\n\u8b6f\u8005\uff1a\u6797\u5efa\u83ef<\/a> \u7b49<\/p>\n

\u6e96\u5efa\u7bc9\u4eba\u624b\u672d\u611b\u4f60\u5537 <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u5bb6\u768420\u6b72\u5e74\u4ee3<\/a>
\n\u7de8\u8457\uff1a\u6771\u4eac<\/a>\u5927\u5b78\u5de5\u5b78\u90e8\u5efa\u7bc9\u5b78\u79d1 \u5b89\u85e4\u5fe0\u96c4<\/a>\u7814\u7a76\u5ba4
\n\u8b6f\u8005\uff1a\u8b1d\u5b97\u54f2<\/a>\uff0c\u9ec3\u66e6\u7a4e <\/p>\n

\u66f8\u540d\uff1a\u770b\u4e0d\u898b\u7684\u57ce\u5e02 Invisible City<\/a>
\n\u539f\u8457\uff1a\u5361\u723e\u7dad\u8afe Italo Calvino <\/p>\n

\u66f8\u540d\uff1a\u7576\u4ee3\u5efa\u7bc9\u7684\u9748\u5149\uff1a\u5f9e\u62d2\u7d55\u5230\u9a5a\u5606\uff0c\u7576\u4ee3\u5efa\u7bc9\u7684\u7a7a\u9593\u73fe\u8c61\u5b78\u3001\u9032\u5316\u8ad6\u8207\u6b23\u8cde\u6307\u5357 Architecure contemporaine<\/a>
\n\u539f\u8457\uff1a\u5409\u8036\uff0e\u5fb7\u5e03\u8d6b Gilles de Bure <\/p>\n

\u66f8\u540d\uff1a\u8ddf\u8457\u5b89\u85e4\u5fe0\u96c4\u770b\u5efa\u7bc9 Experiencing Architectural Works with Tadao Ando<\/a>
\n\u4f5c\u8005\uff1a\u85cd\u9e97\u5a1f <\/p>\n

\u66f8\u540d\uff1a\u91d1\u9580\u8a2d\u8a08\u6559\u5b78\u7b46\u8a18<\/a>
\n\u4f5c\u8005\uff1a \u9673\u66f8\u6bc5<\/a>
\n\u51fa\u7248\u793e\uff1a\u7530\u5712\u57ce\u5e02 <\/p>\n

\u66f8\u540d\uff1aArchitect? A Candid Guide to the Profession<\/a>
\n\u4f5c\u8005\uff1aRoger K. Lewis <\/p>\n

\u66f8\u540d\uff1aBecoming an Architect: A Guide to Careers in Design<\/a>
\n\u4f5c\u8005\uff1aLee W. Waldrep<\/p>\n

\u6e96\u5efa\u7bc9\u4eba\u624b\u672d\u611b\u4f60\u5537 <\/p>\n

\u66f8\u540d\uff1aThink Like an Architect<\/a><\/p>\n

\u66f8\u540d\uff1aGuide to Architecture Schools<\/a>
\n\u4f5c\u8005\uff1aHal Box<\/p>\n

\u66f8\u540d\uff1aArchitecture: Form, Space, \uff06 Order<\/a>
\n\u4f5c\u8005\uff1aFrancis D. K. Ching<\/p>\n

\u66f8\u540d\uff1aExperiencing Architecture<\/a>
\n\u4f5c\u8005\uff1aSteen Eiler Rasmussen <\/p>\n

\u66f8\u540d\uff1aThe Diagrams of Architecture: AD Reader<\/a>
\n\u4f5c\u8005\uff1aMark Garcia<\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u5efa\u7bc9\u5e2b\u3001\u5efa\u7bc9\u540d\u4eba\u50b3\u8a18<\/h2>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u7684\u5922\u60f3\uff1a\u9f90\u7562\u5ea6\u4e2d\u5fc3\u5efa\u7bc9\u5e2b\u7406\u5bdf\u2027\u7f85\u5091\u65af\u81ea\u50b3A place for all people\u2500 Life, architecture and the fair society\u300b<\/a>
\n\u4f5c\u8005\uff1a Richard Rogers<\/a>, Richard Brown
\n\u8b6f\u8005\uff1a \u5433\u8389\u541b<\/p>\n

\u5efa\u7bc9\u7684\u8a95\u751f\uff1a15\u4f4d\u50b3\u5947\u5927\u5e2b\u7684\u751f\u547d\u6545\u4e8b\uff0c161\u4ef6\u5f71\u97ff\u4e16\u754c\u7f8e\u5b78\u7684\u4e0d\u673d\u4f5c\u54c1
\n\u4f5c\u8005\uff1a \u91d1\u5f18\u6f88
\n\u8b6f\u8005\uff1a \u9673\u54c1\u82b3
\n\u51fa\u7248\u793e\uff1a\u5927\u7530<\/p>\n

\u767e\u5e74\u8c9d\u807f\u9298<\/a>\uff1a\u6e38\u5f0b\u65bc\u4e0d\u540c\u6587\u660e\u4e4b\u9593\u7684\u5efa\u7bc9\u5927\u5e2b
\n\u4f5c\u8005\uff1a \u674e\u83c1, \u8cc8\u51ac\u5a77
\n\u51fa\u7248\u793e\uff1a\u9999\u6e2f<\/a>\u4e2d\u548c\u51fa\u7248
\n\u51fa\u7248\u65e5\u671f\uff1a2020\/09\/01
\n\u8a9e\u8a00\uff1a\u7e41\u9ad4\u4e2d\u6587<\/p>\n

\u8056\u5730\u7259\u54e5\uff0e\u5361\u62c9\u7279\u62c9\u74e6\uff1a\u95dc\u65bc\u4ed6\u7684\u624b\u7e6a\u8207\u5efa\u7bc9\u7684\u6240\u601d\u6240\u60f3
\nSantiago Calatrava<\/a>\uff1aDrawing, Building, Reflecting
\n\u4f5c\u8005\uff1a \u514b\u8389\u7d72\u6c40\u5a1c\uff0e\u5361\u897f\u6b50\uff0e\u5fb7\uff0e\u963f\u723e\u4f2f\u8afe\u8332, \u8056\u5730\u7259\u54e5\uff0e\u5361\u62c9\u7279\u62c9\u74e6 Cristina Carrillo de Albornoz, Santiago Calatrava<\/a>
\n\u8b6f\u8005\uff1a \u9673\u7f9a\u829d
\n\u51fa\u7248\u793e\uff1a\u5178\u85cf\u85dd\u8853\u5bb6\u5ead <\/p>\n

\u5efa\u7bc9\u5e2b\uff0c\u5f88\u6709\u4e8b\uff1a\u756b\u8aaa\u7a7a\u9593\u7684\u7642\u7652\u8207\u5e7d\u9ed8\uff0c\u6797\u6df5\u6e90\u7684\u7570\u60f3\u4e16\u754c
\n\u4f5c\u8005\uff1a \u6797\u6df5\u6e90
\n\u51fa\u7248\u793e\uff1a\u9ea5\u6d69\u65af <\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u5efa\u7bc9\u5e2b\u7684\u5efa\u7bc9\u5be6\u8e10 \u60f3\u4ec0\u9ebc \uff06 \u505a\u4ec0\u9ebc<\/h2>\n

\n\u66f8\u540d\uff1a\u300a\u5f9e\u7af9\u5b50\u5230\u7af9\u623f\u5b50\uff1a\u7d66\u6240\u6709\u4eba\u7684\u7af9\u69cb\u7bc9\u6307\u5357\u300b<\/a>
\n\u4f5c\u8005\uff1a \u793e\u5718\u6cd5\u4eba\u81fa\u7063\u7af9\u6703\uff0b\u7518\u9298\u6e90<\/a>
\n\u51fa\u7248\u793e\uff1a\u7530\u5712\u57ce\u5e02<\/p>\n

\u66f8\u540d\uff1a\u300a\u73fe\u4ee3\u5efa\u7bc9\u5143\u7d20\u89e3\u5256\u66f8\uff1a\u624b\u7e6a\u62c6\u89e3\u5efa\u7bc9\u8a2d\u8a08\u4e4b\u7f8e\u8207\u7d50\u69cb\u5de7\u601d\uff0c\u6df1\u5ea6\u81e5\u904a\u89f8\u767c\u9748\u601d The Elements of Modern Architecture: Understanding Contemporary Buildings
\n\u300b<\/a>
\n\u539f\u6587\u4f5c\u8005\uff1a Antony Radford\u3001Selen Morko\u00e7\u3001Amit Srivastava
\n\u8b6f\u8005\uff1a \u5f35\u7d18\u805e
\n\u51fa\u7248\u793e\uff1a\u9ea5\u6d69\u65af<\/p>\n

\u66f8\u540d\uff1a\u8cfc\u8cb7\u300a\u8def\u6613\u65af\u2027\u5eb7\uff1a\u5728\u5efa\u7bc9\u7684\u738b\u570b\u4e2d\u300b\uff08Louis I. Kahn: In the Realm of Architecture\uff09<\/a>
\n\u4f5c\u8005\uff1a David B. Brownlee, David G. De Long
\n\u8b6f\u8005\uff1a \u99ac\u7434
\n\u51fa\u7248\u793e\uff1a\u4e94\u5357<\/p>\n

\u66f8\u540d\uff1a\u300a\u73fe\u4ee3\u6027\u7684\u9b45\u60d1\uff1a\u4fee\u6fa4\u862d\u8207\u5979\u7684\u6642\u4ee3 The Obsession of Modernity: Architect Xiu Zelan and Her Times\u300b<\/a><\/p>\n

\u66f8\u540d\uff1a\u300aHO\uff01SANAA\uff1a\u59b9\u5cf6\u548c\u4e16\uff0b\u897f\u6fa4\u7acb\u885b\u7684\u6eab\u67d4\u5efa\u7bc9\u98a8\u666f\u300b<\/a>
\n\u4f5c\u8005\uff1a \u8b1d\u5b97\u54f2<\/a>
\n\u51fa\u7248\u793e\uff1a\u539f\u9ede
\n\u4f5c\u8005\uff1a \u6bb7\u5bf6\u5be7<\/a><\/p>\n

\u66f8\u540d\uff1a\u300a\u751f\u6d3b\u5c31\u662f\u4e00\u5834\u65c5\u884c\uff08\u66ae\u3089\u3057\u3092\u65c5\u3059\u308b\uff09\u300b<\/a>
\n\u4f5c\u8005\uff1a \u4e2d\u6751\u597d\u6587
\n\u8b6f\u8005\uff1a \u891a\u70ab\u521d
\n\u51fa\u7248\u793e\uff1a\u5408\u4f5c\u793e\u51fa\u7248 <\/p>\n

\u66f8\u540d\uff1a\u300a\u6211\u5011\u8a72\u4f4f\u5728\u54ea\u88e1\uff1f\u5efa\u7bc9\u5e2b\u627e\u5c0b\u5b9c\u5c45\u5730\u7684\u6a19\u6e96\u300b<\/a>
\n\u4f5c\u8005\uff1a \u4fde\u70ab\u6e96 Hyunjoon Yoo<\/p>\n

\u66f8\u540d\uff1a\u53f0\u7063\u5efa\u7bc92019\u5e743\u6708\u865f \u7b2c282\u671f \u7576\u4ee3\u5efa\u7bc9\u7684\u6578\u4f4d\u6f14\u7e79<\/a>
\n\u672c\u671f\u7531\u6771\u6d77\u5927\u5b78\u5efa\u7bc9\u7cfb<\/a>\u90b1\u6d69\u4fee<\/a>\u4e3b\u4efb\u64d4\u4efb\u7279\u7d04\u4e3b\u7de8<\/p>\n

\u66f8\u540d\uff1a\u65b0\u6469\u767b\uff1a\u9081\u5411\u5efa\u7bc9\u6292\u60c5\u6642\u4ee3\uff1a2019\u81fa\u5357\u5efa\u7bc9\u4e09\u5e74\u5c55\u5c08\u8f2f<\/a>
\n\u4f5c\u8005\uff1a \u793e\u5718\u6cd5\u4eba\u53f0\u5357\u5e02<\/a>\u5efa\u7bc9\u5e2b\u516c\u6703
\n\u51fa\u7248\u793e\uff1a\u7530\u5712\u57ce\u5e02<\/p>\n

\u66f8\u540d\uff1a\u9688\u7814\u543e \u64ec\u8072\uff0e\u64ec\u614b\u5efa\u7bc9\uff1a\u751f\u6daf\u9996\u672c\u4f5c\u54c1\u96c6\uff0c\u5c55\u73fe\u5283\u6642\u4ee3\u7684\u5efa\u7bc9\u65b0\u65b9\u5411\uff01( \u9688\u7814\u543e\u3000\u30aa\u30ce\u30de\u30c8\u30da \u5efa\u7bc9)<\/a>
\n\u4f5c\u8005\uff1a\u9688\u7814\u543e<\/a> Kengo Kuma<\/a>
\n\u8b6f\u8005\uff1a\u5f35\u4fca\u7ff0
\n\u51fa\u7248\u793e\uff1a\u745e\u6607 <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u5927\u5e2b\u80f8\u4e2d\u7684\u4e18\u58d1\uff1a\u90a3\u4e9b\u9ad8\u9ad8\u4f4e\u4f4e\u5f71\u97ff\u6211\u5011\u751f\u6d3b\u7684\u667a\u6167<\/a>
\n\u4f5c\u8005\uff1aX-Knowledge HOME\/\u7de8
\n\u7e6a\u8005\uff1a\u4e2d\u5c71\u7e41\u4fe1
\n\u8b6f\u8005\uff1a\u9f94\u5a49\u5982
\n\u51fa\u7248\u793e\uff1a\u5148\u89ba<\/p>\n

\u66f8\u540d\uff1a\u300a\u85e4\u68ee\u7167\u4fe1\u8ad6\u5efa\u7bc9 | \u5efa\u7bc9\u3068\u306f\u4f55\u304b\u3000\u85e4\u68ee\u7167\u4fe1\u306e\u8a00\u8449\u300b<\/a>
\n\u4f5c\u8005\uff1a \u85e4\u68ee\u7167\u4fe1<\/a>
\n\u8b6f\u8005\uff1a\u9ec3\u4fca\u9298<\/a>
\n\u51fa\u7248\u793e\uff1a\u9060\u6d41 <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u5927\u8f49\u63db\u300b<\/a>
\n\u4f5c\u8005\uff1aToyo Ito<\/a> \u4f0a\u6771\u8c4a\u96c4<\/a>\u3001\u4e2d\u6fa4\u65b0\u4e00
\n\u8b6f\u8005\uff1a\u7956\u5b9c
\n\u51fa\u7248\u793e\uff1a\u806f\u7d93\u51fa\u7248\u516c\u53f8 <\/p>\n

\u66f8\u540d\uff1a\u300a\u53cd\u9020\u578b\ufe30\u8207\u81ea\u7136\u9023\u63a5\u7684\u5efa\u7bc9\u300b<\/a>
\n\u4f5c\u8005\uff1a(\u65e5)\u9688\u7814\u543e<\/a> kengo Kuma<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u4e16\u7d00 \u738b\u5927\u958e\u300b<\/a>
\n\u4f5c\u8005\uff1a\u738b\u5927\u958e<\/a>\u3001\u738b\u7acb\u752b\u3001\u738b\u5b88\u6b63\u3001\u738b\u93ae\u83ef\u3001\u738b\u8070\u69ae\u3001\u674e\u4e7e\u6717\u3001\u5442\u6b3d\u6587<\/a>\u3001\u962e\u6176\u5cb3<\/a>\u3001\u5f90\u660e\u677e\u3001\u590f\u9444\u4e5d\u3001\u5f35\u91d1\u9d9a\u3001\u6881\u9298\u525b\u3001\u83ef\u660c\u5b9c\u3001\u90ed\u8056\u5091\u3001\u90ed\u8087\u7acb\u3001\u8523\u96c5\u541b\u3001\u7f85\u6642\u744b<\/a>\u3001\u8607\u55bb\u54f2
\n\u7de8\u8005\uff1a\u90ed\u8087\u7acb
\n\u51fa\u7248\u793e\uff1a\u5178\u85cf\u85dd\u8853\u5bb6\u5ead <\/p>\n

\u66f8\u540d\uff1a\u300a\u5341\u5b85\u8ad6\u300b<\/a>
\n\u4f5c\u8005\uff1a\u9688\u7814\u543e<\/a>
\n\u8b6f\u8005\uff1a\u6731\u9102 <\/p>\n

\u66f8\u540d\uff1a\u300a\u4e09\u4f4e\u4e3b\u7fa9\u300b<\/a>
\n\u4f5c\u8005\uff1a\u9688\u7814\u543e<\/a>\u3001\u4e09\u6d66\u5c55
\n\u8b6f\u8005\uff1a\u6797\u931a\u9857 <\/p>\n

\u66f8\u540d\uff1a\u300a\u7bc9\u8de1\u300b<\/a>
\n\u4f5c\u8005\uff1a\u5f35\u666f\u582f<\/a>\u5efa\u7bc9\u5e2b <\/p>\n

\u66f8\u540d\uff1a\u300a\u4e16\u754c\u5efa\u7bc9\u7684\u516b\u7a2e\u5de5\u5b78\u89e3\u5256\u300b<\/a>
\n\u4f5c\u8005\uff1a\u8ca1\u5718\u6cd5\u4eba\u65e5\u672c\u5efa\u7bc9<\/a>\u5b78\u6703 Architectural Institute of Japan<\/a>
\n\u8b6f\u8005\uff1a\u675c\u6021\u8431<\/a>\u3001\u6797\u6b23\u5100\u3001\u5353\u4e8e(\u7cf8\u79c0)\u3001\u90ed\u8015\u6756\u3001\u694a\u8a69\u5f18<\/a>\u3001\u8607\u6587\u6dd1 <\/p>\n

\u66f8\u540d\uff1aPet Architecture Guide Book \u8d85\u8ff7\u4f60\u5efa\u7bc9\u6307\u5c0e\u624b\u518a<\/a>
\n\u4f5c\u8005\uff1a\u72ac\u5420\u5de5\u4f5c\u5ba4 Atelier Bow-Wow <\/p>\n

\u66f8\u540d\uff1aLost Paradise\u5931\u843d\u7684\u5a01\u5c3c\u65af\u7d19\u4e0a\u5efa\u7bc9\u63d0\u6848 Invisible Architectural Exhibitions of Venice<\/a>
\n\u4f5c\u8005\uff1a\u4e94\u5341\u5d50\u592a\u90ce\u3001\u8b1d\u5b97\u54f2<\/a> <\/p>\n

\u66f8\u540d\uff1a4 + 1 Peter Salter, Building Projects<\/a>
\n\u4f5c\u8005\uff1aAndrew Higgot (Author), Peter Beardsell (Author), Peter Beard (Author), Robert Harbison (Author) <\/p>\n

\u66f8\u540d\uff1aYes Is More: An Archicomic on Architectural Evolution (\u82f1\u6587\u7248)<\/a>
\n\u4f5c\u8005\uff1aBjarke Ingels <\/p>\n

\u66f8\u540d\uff1a\u6717\u8b80\u9055\u7ae0 Illegal Architecture<\/a>
\n\u4f5c\u8005\uff1a\u962e\u6176\u5cb3<\/a>
\n\u7b56\u756b\/\u57f7\u884c\uff1a\u5fe0\u6cf0\u5efa\u7bc9\u6587\u5316\u85dd\u8853\u57fa\u91d1\u6703
\n\u8b6f\u8005\uff1a\u962e\u6dd1\u6885\u3001\u9673\u5cb3\u592b <\/p>\n

\u66f8\u540d\uff1a\u5c71\u4e18\u4e0a\u7684\u4fee\u9053\u9662\uff1a\u79d1\u6bd4\u610f\u7684\u6700\u5f8c\u98a8\u666f Le Corbusier<\/a>
\n\u4f5c\u8005\uff1a\u8303\u6bc5\u821c<\/p>\n

\n\u66f8\u540d\uff1a\u69cb\u7bc9\u7684\u7fa4\u50cf\uff1a\u53f0\u7063\u7576\u4ee3\u5efa\u7bc9\u540d\u5bb6\u8a2a\u8ac7\u96c6 PORTRAITS of ARCHI-TECTONICS<\/a>
\n\u7de8\u8457\uff1a\u8b1d\u5b97\u54f2<\/a> <\/p>\n

\u66f8\u540d\uff1a\u897f\u6ca2\u7acb\u885b\u5c0d\u8ac7\u96c6 Ryue Nishizawa\uff1aDialogues<\/a>
\n\u4f5c\u8005\uff1a\u897f\u6fa4\u7acb\u885b<\/a>
\n\u8b6f\u8005\uff1a\u8b1d\u5b97\u54f2<\/a> <\/p>\n

\u66f8\u540d\uff1a\u5782\u76f4\u6751\u843d The Vertical Village<\/a>
\n\u4f5c\u8005\uff1aMVRDV<\/a>\u3001The Why Factory
\n\u8b6f\u8005\uff1a\u738b\u589e\u69ae<\/a>\u3001\u8b1d\u654f\u3001\u9673\u54c1\u84c1 <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u7684\u5371\u96aa\uff1a\u5eab\u54c8\u65af\u7684\u672a\u4f86\u5ba3\u8a00 Rem Koolhaas\uff1aConversations with Students<\/a>
\n\u4f5c\u8005\uff1a\u96f7\u59c6\uff0e\u5eab\u54c8\u65af<\/a> Rem Koolhaas<\/a> <\/p>\n

\u66f8\u540d\uff1a\u5eab\u54c8\u65af\u8ac7\u5eab\u54c8\u65af\uff1a\u5169\u5834\u5c0d\u8ac7\u53ca\u5176\u4ed6 Deux Conversations Avec Rem Koolhaas et caetera<\/a>
\n\u4f5c\u8005\uff1a\u99ae\u65af\u74e6\uff0e\u590f\u601d\u85cd Francois Chaslin <\/p>\n

\u66f8\u540d\uff1a\u6771\u4eac\u8ad6 Architecture and Urbanism of Tokyo<\/a>
\n\u4f5c\u8005\uff1a\u5718\u7d00\u5f65 Norihiko Dan <\/p>\n

\u66f8\u540d\uff1a\u81ea\u7136\u7684\u5efa\u7bc9<\/a>
\n\u4f5c\u8005\uff1a\u9688\u7814\u543e<\/a> Kengo Kuma<\/a> <\/p>\n

\u66f8\u540d\uff1a\u8ca0\u5efa\u7bc9<\/a>
\n\u4f5c\u8005\uff1a\u9688\u7814\u543e<\/a> Kuma Kengo <\/p>\n

\u66f8\u540d\uff1a\u6539\u8b8a\u4e16\u754c\u7684\u5efa\u7bc9<\/a>
\n\u4f5c\u8005\uff1a\u627f\u5b5d\u76f8 (\u97d3\u570b\u5efa\u7bc9\u5e2b<\/a>) <\/p>\n

\u66f8\u540d\uff1a\u4eba\u751f\u57fa\u672c\u529f\uff1a\u5efa\u7bc9\u5e2b\u6f58\u5180\u7684\u780c\u78da\u54f2\u5b78<\/a>
\n\u4f5c\u8005\uff1a\u6f58\u5180<\/a> <\/p>\n

\u66f8\u540d\uff1a\u8a18\u61b6\u7684\u7fa4\u5cf6\uff1a\u5efa\u7bc9\u5927\u5e2b\u5728\u60f3\u4ec0\u9ebc\uff1f L’Archipel de la Memoire<\/a>
\n\u4f5c\u8005\uff1aPaul Andreu<\/p>\n

\n\u66f8\u540d\uff1a\u5b89\u85e4\u5fe0\u96c4\u7684\u90fd\u5e02\u5fac\u5fa8<\/a>
\n\u539f\u8457\uff1a\u5b89\u85e4\u5fe0\u96c4<\/a> Tadao Ando <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u5bb6\u5b89\u85e4\u5fe0\u96c4<\/a>
\n\u539f\u8457\uff1a\u5b89\u85e4\u5fe0\u96c4<\/a> Tadao Ando
\n\u8b6f\u8005\uff1a\u9f8d\u570b\u82f1 Edward Ryu <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u5bb6\u4f0a\u6771\u8c4a\u96c4<\/a>
\n\u4f5c\u8005\uff1a\u8b1d\u5b97\u54f2<\/a> SHA Sotetsu <\/p>\n

\u66f8\u540d\uff1aZOOM IN, ZOOM OUT, \u4ee5\u6709\u6a5f\u70ba\u540d<\/a>
\n\u4f5c\u8005\uff1a\u5f90\u5ca9\u5947<\/a><\/p>\n

\"\u5716\u6a94\"<\/p>\n

Architecture History \uff06 Architectural Theory \u5efa\u7bc9\u6b77\u53f2\uff06\u5efa\u7bc9\u7406\u8ad6 <\/p>\n

\u66f8\u540d\uff1a\u300a\u7576\u4ee3\u8a2d\u8a08\u9032\u5316\u53f2 \u901f\u67e5\u79d2\u61c2\u7684\u7c21\u660e\u7b46\u8a18\uff0c\u5716\u8aaa\u95dc\u9375\u904b\u52d5\u8207\u7d93\u5178\u98a8\u683c\u7684\u8d85\u9023\u7d50\u300b <\/a>
\n\u4f5c\u8005\uff1a \u62c9\u514b\u5e0c\u7c73\u2027\u5df4\u65af\u5361\u85cd Lakshmi Bhaskaran
\n\u8b6f\u8005\uff1a \u7f85\u96c5\u8431
\n\u51fa\u7248\u793e\uff1a\u539f\u9ede <\/p>\n

\u66f8\u540d\uff1a\u300a\u91cd\u751f\u4e4b\u8def\uff1a\u57fa\u790e\u8a2d\u65bd\u7684\u6b7b\u8207\u751f\uff0c\u5168\u7403\u7d93\u5178\u6848\u4f8b\u5716\u89e3\u300b<\/a>
\n\u4f5c\u8005\uff1a \u8cf4\u4f2f\u5a01, WillipodiA\u90fd\u5dff\u7814\u7a76\u5718\u968a
\n\u51fa\u7248\u793e\uff1a\u806f\u7d93\u51fa\u7248\u516c\u53f8<\/p>\n

\u66f8\u540d\uff1a\u300a\u5bc4\u751f\u4e4b\u5edf\uff1a\u53f0\u7063\u90fd\u5e02\u593e\u7e2b\u4e2d\u7684\u8857\u5edf\u89c0\u5bdf\uff0c\u9069\u61c9\u793e\u6703\u8b8a\u9077\u7684\u5e38\u6c11\u7a7a\u9593\u5716\u9451\u300b<\/a>
\n\u4f5c\u8005\uff1a \u8cf4\u4f2f\u5a01, WillipodiA\u90fd\u5dff\u7814\u7a76\u5718\u968a
\n\u51fa\u7248\u793e\uff1a\u806f\u7d93\u51fa\u7248\u516c\u53f8<\/p>\n

\u66f8\u540d\uff1a\u300a\u5e7b\u5f71\u5efa\u7bc9\uff1a\u4e16\u754c\u9802\u5c16\u5efa\u7bc9\u5e2b\u6700\u60f3\u5efa\u9020\u768450\u500b\u5922\u5e7b\u5efa\u7bc9 PHANTOM ARCHITECTURE: The fantastical structures the world\u2019s great architects really wanted to build\u300b<\/a>
\n\u4f5c\u8005\uff1a PHILIP WILKINSON
\n\u8b6f\u8005\uff1a \u80e1\u5b5d\u54f2
\n\u51fa\u7248\u793e\uff1a\u5178\u85cf\u85dd\u8853\u5bb6\u5ead<\/p>\n

\u66f8\u540d\uff1a\u300a\u5305\u6d69\u65af\u95dc\u9375\u6545\u4e8b100\uff1a\u6700\u7c21\u660e\u7684\u65b0\u4e16\u4ee3\u7248\u672c\uff0c\u8b80\u904e\u5c31\u50cf\u770b\u4e86\u4e00\u5834\u767e\u5e74\u7d00\u5ff5\u7279\u5c55 The Story of Bauhaus\u300b<\/a>
\n\u4f5c\u8005\uff1a\u6cd5\u862d\u897f\u7d72\u2027\u5b89\u4f2f\u6a02 France<\/a>s Ambler
\n\u8b6f\u8005\uff1a\u5433\u8389\u541b <\/p>\n

\u66f8\u540d\uff1a\u300a\u65e5\u672c\u5efa\u7bc9\u7684\u89ba\u9192\uff1a\u5c0b\u627e\u6587\u5316\u8b58\u5225\u7684\u6478\u7d22\u8207\u596e\u8d77\u4e4b\u8def\u300b<\/a>
\n\u4f5c\u8005\uff1a\u4e94\u5341\u5d50\u592a\u90ce
\n\u8b6f\u8005\uff1a\u8b1d\u5b97\u54f2<\/a> <\/p>\n

\u66f8\u540d\uff1aCarlo Scarpa \u5361\u7f85\uff0e\u53f2\u5361\u5e15\uff1a\u7a7a\u9593\u4e2d\u6d41\u52d5\u7684\u8a69\u6027<\/a>
\n\u4f5c\u8005\uff1a\u891a\u745e\u57fa<\/a> <\/p>\n

\u66f8\u540d\uff1a\u770b\u898b\u7406\u60f3\u570b\uff1a\u4e00\u4f4d\u5efa\u7bc9\u5e2b\u7684\u5922\u60f3\u570b\u5ea6\u904a\u8a18 Illustrated Guide to Utopia\uff1aan architect’s travel diary<\/a>
\n\u4f5c\u8005\uff1a\u666e\u897f\u6c83\uff0e\u53e4\u5fb7\u66fc Percival Goodman
\n\u8b6f\u8005\uff1a\u738b\u79cb\u83ef<\/a> <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u7684\u4e03\u76de\u660e\u71c8 The Seven Lamps of Architecture<\/a>
\n\u4f5c\u8005\uff1a\u7d04\u7ff0\uff0e\u7f85\u65af\u91d1 John Ruskin <\/p>\n

\"\u5716\u6a94\"<\/p>\n

Portfolio Design \u4f5c\u54c1\u96c6\u8a2d\u8a08 \uff06 \u88fd\u4f5c <\/p>\n

\u66f8\u540d\uff1aBook Design \u66f8\u8a2d\u8a08\uff0e\u8a2d\u8a08\u66f8\uff1a\u66f8\u7c4d\u7de8\u8f2f\u3001\u8a2d\u8a08\u3001\u98a8\u683c\u3001\u5370\u5237\u5168\u4e8b\u5178<\/a>
\n\u4f5c\u8005\uff1a\u5b89\u5fb7\u9b6f\uff0e\u54c8\u65af\u862d Andrew Haslam <\/p>\n

\u66f8\u540d\uff1a\u5077\u7aba\u8a2d\u8a08\u4eba\u7684\u7b46\u8a18<\/a>
\n\u4f5c\u8005\uff1a\u4f0a\u9054\u5343\u4ee3 <\/p>\n

\u66f8\u540d\uff1a\u597d\u8a2d\u8a08\uff0c\u7b2c\u4e00\u6b21\u5c31\u4e0a\u624b\uff1a85\u500b\u9ec3\u91d1\u6cd5\u5247\uff0c\u65e5\u672c\u4eba\u5c31\u662f\u9019\u6a23\u958b\u59cb\u5b78\u8a2d\u8a08\uff01<\/a>
\n\u4f5c\u8005\uff1a\u751f\u7530\u4fe1\u4e00\u3001\u5927\u68ee\u88d5\u4e8c\u3001\u9f9c\u5c3e\u6566
\n\u539f\u6587\u4f5c\u8005\uff1aIkuta Shinichi\u3001Ohmori Yuji\u3001Kameo Atsushi <\/p>\n

\u66f8\u540d\uff1aPortfolio Design, Second Edition<\/a>
\n\u4f5c\u8005\uff1aHarold Linton <\/p>\n

\u66f8\u540d\uff1aPortfolio Design, Third Edition<\/a>
\n\u4f5c\u8005\uff1aHarold Linton <\/p>\n

\u66f8\u540d\uff1aBuilding Design Portfolios: Innovative Concepts for Presenting Your Work (Design Field Guide)<\/a>
\n\u4f5c\u8005\uff1aSara Eisenman <\/p>\n

\"\u5716\u6a94\"<\/p>\n

Campus Design \uff06 Planning \u6821\u5712<\/a>\u898f\u5283\u8207\u8a2d\u8a08 <\/p>\n

\u66f8\u540d\uff1aCampus Housing Construction and Renovation An Analysis of Cost and Design<\/a>
\n\u4f5c\u8005\uff1aJames C. Grimm (Author), Norbert W. Dunkel (Author) <\/p>\n

\u66f8\u540d\uff1aCampus Landscapes: Functions, Forms, Features<\/a>
\n\u4f5c\u8005\uff1aRichard P. Dober (Author) <\/p>\n

\u66f8\u540d\uff1aThe Campus As a Work of Art<\/a> <\/p>\n

\u66f8\u540d\uff1aEducating by Design : Creating Campus<\/a> <\/p>\n

\u66f8\u540d\uff1aTechnology Everywhere: A Campus Agenda for Educating and Managing Workers in the Digital Age, Vol. 6<\/a> <\/p>\n

\u66f8\u540d\uff1aThe Post-War University: Utopianist Campus and College<\/a> <\/p>\n

\u66f8\u540d\uff1aCampus Planning and Design.<\/a> <\/p>\n

\u66f8\u540d\uff1aCampus Architecture: Building in the Groves of Academe<\/a> <\/p>\n

\u66f8\u540d\uff1aArt and Architecture at MIT: A Walking Tour of the Campus<\/a> <\/p>\n

\u66f8\u540d\uff1aCampus Planning: A Bibliography<\/a> <\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u5efa\u7bc9\u6559\u80b2 <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u8a9e\u8a00\uff06\u6cd5\u5247\uff1a\u5eb7\u4e43\u723e\u5efa\u7bc9\u7cfb60\u5e74\u6559\u5b78\u7cbe\u83ef The language of architecture\u300b<\/a>
\n\u4f5c\u8005\uff1aAndrea Simitch, Val Warke <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u8a08\u756b\uff1a\u4e00\u500b\u5f9e\u7121\u5230\u6709\u7684\u8a2d\u8a08\u601d\u8003\u904e\u7a0b\u8207\u53ef\u884c\u4e4b\u9053\uff082\u7248\uff09\u300b<\/a>
\n\u4f5c\u8005\uff1a \u674e\u5cfb\u9716, \u838a\u4ea6\u5a77
\n\u51fa\u7248\u793e\uff1a\u4e94\u5357 <\/p>\n

\u66f8\u540d\uff1aDeviations: Designing Architecture – A Manual<\/a>
\n\u4f5c\u8005\uff1aMarc Angelil, Dirk Hebel (\u745e\u58eb<\/a>\u806f\u90a6\u7406\u5de5\u5b78\u9662 ETH \u5efa\u7bc9\u7cfb) <\/p>\n

\"\u5716\u6a94\"<\/p>\n

Abstract Analysis \uff06 Transformation \u62bd\u8c61\u5206\u6790\u53ca\u8f49\u63db <\/p>\n

\u66f8\u540d\uff1aEnvisioning Information<\/a>
\n\u4f5c\u8005\uff1aEdward R. Tufte <\/p>\n

\u66f8\u540d\uff1aVisual Explanations: Images and Quantities, Evidence and Narrative<\/a>
\n\u4f5c\u8005\uff1aEdward R. Tufte <\/p>\n

\u66f8\u540d\uff1aThe Cognitive Style of PowerPoint: Pitching Out Corrupts Within, Second Edition<\/a>
\n\u4f5c\u8005\uff1aEdward R. Tufte <\/p>\n

\u66f8\u540d\uff1aVisual \uff06 Statistical Thinking: Displays of Evidence for Decision Making<\/a>
\n\u4f5c\u8005\uff1aEdward R. Tufte <\/p>\n

\u66f8\u540d\uff1aBeautiful Evidence<\/a>
\n\u4f5c\u8005\uff1aEdward R. Tufte<\/p>\n

\"\u5716\u6a94\"<\/p>\n

Marketing for Projects \u8a2d\u8a08\u6848\u4e4b\u884c\u92b7 <\/p>\n

\u66f8\u540d\uff1aMarketing for Architects and Designers<\/a>
\n\u4f5c\u8005\uff1aHarold Linton<\/p>\n

\"\u5716\u6a94\"<\/p>\n

2010\u5e74 \u5341\u672c\u5efa\u7bc9\u597d\u66f8 <\/p>\n

\u66f8\u540d\uff1aDown Detour Road: An Architect in Search of Practice<\/a>
\n\u4f5c\u8005\uff1aEric J. Cesal <\/p>\n

\u66f8\u540d\uff1aEthics for Architects: 50 Dilemmas of Professional Practice (Architecture Briefs)<\/a>
\n\u4f5c\u8005\uff1aThomas Fisher <\/p>\n

\u66f8\u540d\uff1aThe Diagrams of Architecture: AD Reader<\/a>
\n\u4f5c\u8005\uff1aMark Garcia <\/p>\n

\u6e96\u5efa\u7bc9\u4eba\u624b\u672d\u611b\u4f60\u5537 <\/p>\n

\u66f8\u540d\uff1aShigeru Ban: Complete Works 1985-2010<\/a>
\n\u4f5c\u8005\uff1aPhilip Jodidio <\/p>\n

\u66f8\u540d\uff1aThe Architecture of Hope: Maggie’s Cancer Caring Centres<\/a>
\n\u4f5c\u8005\uff1aMCharles Jencks, Edwin Heathcote <\/p>\n

\u66f8\u540d\uff1aTurkish Art and Architecture: From the Seljuks to the Ottomans<\/a>
\n\u4f5c\u8005\uff1aGiovanni Curatola <\/p>\n

\u66f8\u540d\uff1aResearch \uff06 Design: Faculty Work, The City College of New York – Bernard and Anne Spitzer School of Architecture<\/a>
\n\u4f5c\u8005\uff1aGeorge Ranalli <\/p>\n

\u66f8\u540d\uff1aThe Surreal House<\/a>
\n\u4f5c\u8005\uff1aJane Alison <\/p>\n

\u66f8\u540d\uff1aAlmanac of Architecture \uff06 Design 2010 (Almanac of Architecture and Design)<\/a>
\n\u4f5c\u8005\uff1aDesignIntelligence, James P. Cramer, Jane Paradise Wolford <\/p>\n

\u66f8\u540d\uff1aFive Centuries of Indonesian Textiles<\/a>
\n\u4f5c\u8005\uff1aRuth Barnes, Mary Hunt Kahlenberg <\/p>\n

\"\u5716\u6a94\"<\/p>\n

dA\u592f \u7cfb\u5217 <\/p>\n

\u66f8\u540d\uff1adA\u592f10 \u5be6\u69cb\u7bc9\uff1aTectonic Becoming<\/a>
\n\u4f5c\u8005\uff1a\u5289\u514b\u5cf0<\/a>\u3001\u6797\u82b3\u6021<\/a>\u3001\u8607\u777f\u5f3c<\/a>\u7b49\u5408\u7de8 <\/p>\n

\u66f8\u540d\uff1adA \u592f issue 08 \u2013DESIGN 21\uff3f\uff3f21 Graphic Designers<\/a>
\n\u4f5c\u8005\uff1a\u7530\u5712\u57ce\u5e02\u7de8\u8f2f\u90e8<\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u54c8\u4f5b\u5927\u5b78\u5efa\u7bc9\u7cfb\u5b78\u751f\u5fc5\u8b80\u66f8\u55ae <\/p>\n

\u66f8\u540d\uff1aEcological Urbanism \u751f\u614b\u90fd\u5e02\u4e3b\u7fa9<\/a>
\n\u4f5c\u8005 : Mohsen Mostafavi(Editor)\/Gareth Doherty (Editor)\/Harvard University (Editor)
\n\u51fa\u7248\u793e : Lars M\u00fcller Publishers <\/p>\n

\u66f8\u540d\uff1aSurface Architecture<\/a>
\n\u4f5c\u8005 : David Leatherbarrow\/Mohsen Mostafavi
\n\u51fa\u7248\u793e : The MIT Press <\/p>\n

\u66f8\u540d\uff1aTower and Office: From Modernist Theory to Contemporary Practice (A Buell Center\/Columbia Book of Architecture)<\/a>
\n\u4f5c\u8005 : Inaki Abalos \/Juan Herreros
\n\u51fa\u7248\u793e : The MIT Press <\/p>\n

\u66f8\u540d\uff1aExpressive Form: A Conceptual Approach to Computational Design<\/a>
\n\u4f5c\u8005 : Kostas Terzidis
\n\u51fa\u7248\u793e : Routledge<\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u516c\u5171\u5de5\u7a0b<\/a> \u653f\u5e9c\u51fa\u7248\u54c1<\/p>\n

\u66f8\u540d\uff1a\u300a\u5e37\u5e55\u7246\u7cfb\u7d71\u7d50\u69cb\u8010\u98a8\u8a2d\u8a08\u624b\u518a\u300b<\/a>
\n\u4f5c\u8005\uff1a \u9673\u745e\u83ef, \u9673\u6587\u6a39, \u9673\u90c1\u6f54, \u912d\u5b9c\u5e73, \u912d\u555f\u660e, \u912d\u5143\u826f, \u9673\u5efa\u5fe0, \u674e\u93ae\u5b8f, \u90ed\u5efa\u6e90
\n\u51fa\u7248\u793e\uff1a\u5167\u653f\u90e8\u5efa\u7bc9\u7814\u7a76\u6240<\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u5de5\u7a0b\u71df\u5efa\u985e<\/p>\n

\u66f8\u540d\uff1a\u300a\u6728\u69cb\u9020\u8010\u9707\u6280\u8853\uff1a\u4e16\u754c\u9802\u5c16\u65e5\u672c\u6728\u69cb\u9020\u6b0a\u5a0140\u5e74\u8010\u9707\u7d50\u69cb\u8a2d\u8a08\u7406\u8ad6\u5be6\u52d9\u8056\u7d93 \u30e4\u30de\u30d9\u306e\u8010\u9707\u6539\u4fee\uff1a\u6728\u9020\u8010\u9707\u6539\u4fee\u306e\u7b2c\u4e00\u4eba\u8005\u306e\u30ce\u30a6\u30cf\u30a6\u304c\u3053\u306e\u4e00\u518a\u306b\u51dd\u7e2e\uff01\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5c71\u908a\u8c50\u5f65
\n\u8b6f\u8005\uff1a \u5f35\u6b63\u745c
\n\u51fa\u7248\u793e\uff1a\u6613\u535a\u58eb\u51fa\u7248\u793e <\/p>\n

\u66f8\u540d\uff1a\u300a\u6728\u69cb\u9020\u5168\u66f8\uff1a\u4e16\u754c\u9802\u5c16\u65e5\u672c\u6728\u69cb\u9020\u6b0a\u5a0140\u5e74\u7406\u8ad6\u8207\u5be6\u52d9\u96c6\u5927\u6210\uff08\u30e4\u30de\u30d9\u306e\u6728\u69cb\u9020 \u5897\u88dc\u6539\u8a02\u7248\uff1a\u3053\u308c\u4e00\u518a\u3067\u5206\u304b\u308b\uff01\u6728\u9020\u4f4f\u5b85\u306e\u69cb\u9020\u8a2d\u8a08\uff09\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5c71\u908a\u8c50\u5f65
\n\u8b6f\u8005\uff1a \u5f35\u6b63\u745c
\n\u51fa\u7248\u793e\uff1a\u6613\u535a\u58eb\u51fa\u7248\u793e <\/p>\n

\u66f8\u540d\uff1a\u5716\u89e3\u5efa\u7bc9\u5ba4\u5167\u88dd\u4fee\u8a2d\u8a08\u5165\u9580\uff1a\u4e00\u6b21\u7cbe\u901a\u5ba4\u5167\u88dd\u4fee\u7684\u57fa\u672c\u77e5\u8b58\u3001\u8a2d\u8a08\u3001\u65bd\u5de5\u548c\u61c9\u7528(\u30bc\u30ed\u304b\u3089\u306f\u3058\u3081\u308b \u5efa\u7bc9\u306e\u300c\u30a4\u30f3\u30c6\u30ea\u30a2\u300d\u5165\u9580)<\/a>
\n\u4f5c\u8005\uff1a\u539f\u53e3\u79c0\u662d Hideaki Haraguchi \u8b6f\u8005\uff1a \u9673\u66c4\u4ead \u51fa\u7248\u793e\uff1a\u81c9\u8b5c <\/p>\n

\u66f8\u540d\uff1a\u300a\u6728\u69cb\u9020\uff1a\u6253\u7834\u4e0d\u8010\u9707\u3001\u4e0d\u6297\u98a8\u3001\u4e0d\u9632\u6f6e\u3001\u6015\u87f2\u86c0\u3001\u4e0d\u6575\u706b\u8ff7\u601d\uff0c\u5f9e\u6982\u5ff5\u5230\u69cb\u67b6\u8a08\u756b\u8207\u5de5\u6cd5\u5168\u5716\u89e3\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5c71\u908a\u8c50\u5f65
\n\u8b6f\u8005\uff1a \u5f35\u6b63\u745c
\n\u51fa\u7248\u793e\uff1a\u6613\u535a\u58eb\u51fa\u7248\u793e <\/p>\n

\u66f8\u540d\uff1a\u5efa\u7bc9\u7684\u8a2d\u5099\u6559\u5ba4\uff1a\u5716\u89e3\u5efa\u7bc9\u8a2d\u5099\u5165\u9580\uff0c\u4e00\u6b21\u7cbe\u901a\u6c34\u3001\u7a7a\u6c23\u3001\u96fb\u529b\u7684\u57fa\u672c\u77e5\u8b58\u548c\u61c9\u7528<\/a>
\n\u4f5c\u8005\uff1a\u539f\u53e3\u79c0\u662d Hideaki Haraguchi
\n\u8b6f\u8005\uff1a\u8521\u9752\u96ef <\/p>\n

\u66f8\u540d\uff1a\u5716\u89e3\u5efa\u7bc9\u65bd\u5de5\u5165\u9580\uff1a\u4e00\u6b21\u7cbe\u901a\u5efa\u7bc9\u65bd\u5de5\u7684\u57fa\u672c\u77e5\u8b58\u3001\u5de5\u6cd5\u548c\u61c9\u7528(\u30bc\u30ed\u304b\u3089\u306f\u3058\u3081\u308b \u5efa\u7bc9\u306e\u300c\u65bd\u5de5\u300d\u5165\u9580)<\/a> \u4f5c\u8005\uff1a \u539f\u53e3\u79c0\u662d Hideaki Haraguchi
\n\u8b6f\u8005\uff1a \u9673\u5f69\u83ef
\n\u51fa\u7248\u793e\uff1a\u81c9\u8b5c <\/p>\n

\u66f8\u540d\uff1a\u6728\u9020\u4f4f\u5b85\u7684\u5be6\u7528\u7d50\u69cb\u5de5\u6cd5\u5716\u9451\uff1a\u512a\u79c0\u5efa\u7bc9\u516c\u53f8\u7530\u4e2d\u5de5\u52d9\u5e97\u7684\u6a19\u6e96\u898f\u683c\u66f8\uff0c\u6536\u9304150\u7a2e\u5be6\u7528\u7684\u7d50\u69cb\u5de5\u6cd5(\u6728\u9020\u4f4f\u5b85\u306e\u5b9f\u7528\u7d0d\u307e\u308a\u56f3\u9451)<\/a>
\n\u4f5c\u8005\uff1a X-Knowledge Co. Ltd.
\n\u8b6f\u8005\uff1a \u674e\u660e\u7a4e \u51fa\u7248\u793e\uff1a\u745e\u6607<\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u90fd\u5e02\u8a2d\u8a08<\/a>\u3001\u8857\u9053\u7a7a\u9593\u3001\u5df7\u5f04\u9130\u91cc\u3001\u5efa\u7bc9\u89c0\u5bdf\u53ca\u5efa\u7bc9\u65c5\u884c\u7684\u597d\u66f8 <\/p>\n

\u66f8\u540d\uff1a\u300a\u8993\u9082\u90fd\u5e02\u300b\uff08\u90fd\u5e02\u3092\u770b\u308b\uff09<\/a>
\n\u4f5c\u8005\uff1a \u5718\u7d00\u5f65
\n\u8b6f\u8005\uff1a \u9f8d\u570b\u82f1
\n\u7e6a\u8005\uff1a \u698e\u672c\u5149\u9054\u4e86\u58f9
\n\u51fa\u7248\u793e\uff1a\u7530\u5712\u57ce\u5e02 <\/p>\n

\u66f8\u540d\uff1a\u300a\u96d5\u6881\u756b\u68df\u4e4b\u53f0\u7063\u65c5\u5716\u300b<\/a>
\n\u4f5c\u8005\uff1a \u6881\u8208\u9686, \u912d\u5b89\u4f51
\n\u7e6a\u8005\uff1a \u6797\u601d\u99ff
\n\u51fa\u7248\u793e\uff1a\u65b0\u92b3\u6587\u5275<\/p>\n

\u66f8\u540d\uff1a\u300a\u5728\u57fa\u9686\uff1a\u57ce\u3001\u6d77\u3001\u5c71\u8207\u672a\u4f86\u300b<\/a>
\n\u4f5c\u8005\uff1a VERSE\u7de8\u8f2f\u90e8
\n\u51fa\u7248\u793e\uff1a\u9752\u9ce5\u6587\u5316<\/p>\n

\u66f8\u540d\uff1a\u300a\u6771\u4eac\u5efa\u7bc9\u5973\u5b50\u7684\u65e5\u672c\u5efa\u7bc9\u9078\u54c1\uff1a\u57ce\u5e02\u98a8\u666f\u00d7\u7a7a\u9593\u601d\u7dad\uff0c100\u8d9f\u5145\u6eff\u8a69\u610f\u7684\u8a2d\u8a08\u4e4b\u65c5\u300b<\/a>
\n\u4f5c\u8005\uff1a \u674e\u6600\u84c1<\/a>
\n\u51fa\u7248\u793e\uff1a\u5c71\u5cb3<\/p>\n

\u66f8\u540d\uff1a\u300a\u5049\u5927\u57ce\u5e02\u7684\u4e8c\u6b21\u8a95\u751f\uff1a\u5f9e\u7d10\u7d04\u516c\u5171\u7a7a\u9593\u7684\u51cb\u96f6\u8207\u91cd\u751f\uff0c\u63a2\u5c0b\u4ee5\u4eba\u70ba\u672c\u7684\u8857\u9053\u8a2d\u8a08\u548c\u667a\u6167\u904b\u8f38\u300b\uff08Streetfight: Handbook for an Urban Revolution\uff09<\/a>
\n\u4f5c\u8005\uff1a \u73cd\u59ae\u7279\uff0e\u85a9\u8fea\u53ef\u7f55, \u8cfd\u65af\uff0e\u6240\u7f85\u9580\u8afe Janette Sadik-Khan, Seth Solomonow
\n\u8b6f\u8005\uff1a \u9ad8\u5b50\u6885
\n\u51fa\u7248\u793e\uff1a\u81c9\u8b5c <\/p>\n

\n\u66f8\u540d\uff1a\u300a\u6771\u4eac\u5927\u5b78\u6700\u7d42\u6f14\u8b1b\uff1a\u6211\u8207\u90fd\u5e02\u5171\u5b78\u7684\u9019\u689d\u8def\u300b<\/a>
\n\u4f5c\u8005\uff1a \u897f\u6751\u5e78\u592b
\n\u8b6f\u8005\uff1a \u5ed6\u6021\u921e
\n\u51fa\u7248\u793e\uff1a\u9060\u6d41 <\/p>\n

\u66f8\u540d\uff1a\u300a\u6642\u901f\u4e94\u516c\u91cc\u4e4b\u524d\u7684\u57ce\u5e02\uff1a\u7531\u9ad8\u96c4\u8001\u5c4b\u958b\u555f\u5730\u57df\u6027\u7a7a\u9593\u8ad6\u8ff0\u300b<\/a>
\n\u4f5c\u8005\uff1a\u6797\u5b9b\u84c1<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u6b77\u53f2\u4e2d\u7684\u57ce\u5e02\u2500\u8d77\u6e90\u3001\u6f14\u8b8a\u8207\u5c55\u671b\u300b
\n\u4f5c\u8005\uff1aLewis Mumford <\/p>\n

\u66f8\u540d\uff1a\u5049\u5927\u57ce\u5e02\u7684\u8a95\u751f\u8207\u8870\u4ea1\uff1a\u7f8e\u570b\u90fd\u5e02\u8857\u9053\u751f\u6d3b\u7684\u555f\u767c The Death and Life of Great American Cities<\/a>
\n\u4f5c\u8005\uff1a\u73cd\uff0e\u96c5\u5404 Jane Jacobs <\/p>\n

\u66f8\u540d\uff1a\u300a\u90fd\u5e02\u610f\u8c61\u300b
\n\u4f5c\u8005\uff1aKevin Lynch <\/p>\n

\u66f8\u540d\uff1a\u300a\u5834\u6240\u7cbe\u795e\uff0d \u9081\u5411\u5efa\u7bc9\u73fe\u8c61\u5b78\u300b
\n\u4f5c\u8005\uff1aChristian Norberg-Schulz <\/p>\n

\u66f8\u540d\uff1a\u300a\u8d85\u5f37\u5ea6\uff01\u5efa\u7bc9\u7a7a\u9593\u7684\u8272\u5f69\u6a5f\u80fd\u5b78\uff1a\u5168\u740370\u500b\u4ee4\u4eba\u9a5a\u8c54\u7684\u5efa\u7bc9+\u5546\u7a7a\uff0c\u8b93\u4eba\u4e00\u770b\u898b\u5c31\u60f3\u6253\u5361Color in Space: Brightening it Up\u300b<\/a>
\n\u4f5c\u8005\uff1a Send Points <\/p>\n

\u66f8\u540d\uff1a\u300a\u6771\u4eac\u5fa9\u53e4\u5efa\u7bc9\u6563\u6b65\uff1a\u6230\u524d\u6771\u4eac\u5fa9\u53e4\u540d\u5efa\u7bc950\u9078\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5009\u65b9\u4fca\u8f14
\n\u8b6f\u8005\uff1a \u6d2a\u4e8e\u7407
\n\u51fa\u7248\u793e\uff1a\u69bb\u69bb\u7c73 <\/p>\n

\u66f8\u540d\uff1a\u300a\u6771\u4eac\u73fe\u4ee3\u5efa\u7bc9\u6563\u6b65\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5009\u65b9\u4fca\u8f14
\n\u8b6f\u8005\uff1a \u6797\u7f8e\u742a
\n\u51fa\u7248\u793e\uff1a\u69bb\u69bb\u7c73 <\/p>\n

\u66f8\u540d\uff1a\u8001\u5c4b\u5275\u751f25\u5e16<\/a>
\n\u4f5c\u8005\uff1a \u9673\u570b\u6148, \u674e\u61c9\u5e73, \u6797\u6b23\u8abc, \u9ad8\u5609\u8046, \u5f35\u5c0a\u798e, \u9673\u6b46\u6021, \u66fe\u6dd1\u7f8e, \u8449\u76ca\u9752, \u5289\u7192\u6953
\n\u51fa\u7248\u793e\uff1a\u9060\u6d41 <\/p>\n

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\n\u4f5c\u8005\uff1a \u674e\u6600\u84c1<\/a> \u51fa\u7248\u793e\uff1a\u5c71\u5dbd <\/p>\n

\n\u66f8\u540d\uff1a\u300a\u6771\u4eac\u672a\u4f86\u6d3e\u300b(1+2\u5957\u66f8)<\/a>
\n\u4f5c\u8005\uff1a \u674e\u6e05\u5fd7
\n\u51fa\u7248\u793e\uff1a\u6642\u5831\u51fa\u7248 <\/p>\n

\u66f8\u540d\uff1a\u6771\u4eac\u672a\u4f86\u6d3e1\uff1a\u90fd\u5e02\u5075\u63a2\u7684\u6771\u4eac\u89c0\u5bdfA to M<\/a>
\n\u4f5c\u8005\uff1a \u674e\u6e05\u5fd7 \u51fa\u7248\u793e\uff1a\u6642\u5831\u51fa\u7248 <\/p>\n

\u66f8\u540d\uff1a\u6771\u4eac\u672a\u4f86\u6d3e2\uff1a\u90fd\u5e02\u5075\u63a2\u7684\u6771\u4eac\u6f2b\u904aN to Z<\/a>
\n\u4f5c\u8005\uff1a \u674e\u6e05\u5fd7
\n\u51fa\u7248\u793e\uff1a\u6642\u5831\u51fa\u7248 <\/p>\n

\u66f8\u540d\uff1a\u610f\u2027\u8c61\u2027\u4eac\u90fd\uff1a12\u500b\u95dc\u9375\u5b57\u5e36\u4f60\u611f\u53d7\u4eac\u90fd\u7684\u7a7a\u9593\u8a2d\u8a08 | \u4eac\u90fd\u306e\u7a7a\u9593\u610f\u5320\uff1a12\u306e\u30ad\u30fc\u30ef\u30fc\u30c9\u3067\u9ad4\u611f\u3059\u308b~<\/a>
\n\u4f5c\u8005\uff1a \u6e05\u6c34\u6cf0\u535a KIYOMIZU Yasuhiro <\/p>\n

\u66f8\u540d\uff1a\u4e0d\u7528\u5de5\u4f5c\u7684\u57ce\u5e02<\/a>
\n\u4f5c\u8005\uff1a\u5efa\u7bc9\u5927\u53d4(\u4f55\u5ead\u5cf0) <\/p>\n

\u66f8\u540d\uff1aTaipei 1\/2\uff1a\u5efa\u7bc9\u5927\u53d4\u7684\u57ce\u5e02\u7570\u60f3<\/a>
\n\u4f5c\u8005\uff1a\u5efa\u7bc9\u5927\u53d4(\u4f55\u5ead\u5cf0) <\/p>\n

\u66f8\u540d\uff1a\u8ab0\u628a\u827e\u83f2\u723e\u9435\u5854\u642c\u5230\u4e86\u4e2d\u570b\uff1fOriginal Copies: Architectural Mimicry in Contemporary China<\/a>
\n\u4f5c\u8005\uff1a \u78a7\u5b89\u5361\uff0e\u535a\u65af\u514b Bianca Bosker <\/p>\n

\u66f8\u540d\uff1a\u7d10\u7d04\u4eba\u7684\u57ce\u5e02\u7ffb\u8f49\u529b\uff1a\u7d10\u7d04\u820a\u8857\u5340\u5341\u5e74\u89c0\u5bdf<\/a>
\n\u4f5c\u8005\uff1a\u9ec3\u91d1\u6a3a <\/p>\n

\u66f8\u540d\uff1a\u4eff\u751f\u5fae\u751f\u7cfb Biomimetic Micro-Ecosystem<\/a>
\n\u4f5c\u8005\uff1a\u4f55\u70af\u5fb7<\/a> <\/p>\n

\u66f8\u540d\uff1a\u539f\u5275\u6027\u7ffb\u7248\u2014\u4e2d\u570b\u7576\u4ee3\u5efa\u7bc9\u4e2d\u7684\u6a21\u4eff\u8853 Original Copies: Architectural Mimicry in Contemporary China<\/a>
\n\u4f5c\u8005\uff1aBianca Bosker <\/p>\n

\u66f8\u540d\uff1a\u516c\u6771\u7684\u6559\u5802\uff1a\u6d77\u5cb8\u5c71\u8108\u7684\u4e00\u9801\u6559\u80b2\u50b3\u5947(\u7cbe\u88dd\u7d00\u5ff5\u7248) The Chapel of Kung-Tung: An Education Legend in the Coastal Range of Taiwan<\/a>
\n\u4f5c\u8005\uff1a\u8303\u6bc5\u821c <\/p>\n

\u66f8\u540d\uff1a\u516c\u6771\u7684\u6559\u5802\uff1a\u6d77\u5cb8\u5c71\u8108\u7684\u4e00\u9801\u6559\u80b2\u50b3\u5947(\u5e73\u88dd) The Chapel of Kung-Tung: An Education Legend in the Coastal Range of Taiwan<\/a>
\n\u4f5c\u8005\uff1a\u8303\u6bc5\u821c <\/p>\n

\u66f8\u540d\uff1a\u5c71\u4e18\u4e0a\u7684\u4fee\u9053\u9662\uff1a\u79d1\u6bd4\u610f\u7684\u6700\u5f8c\u98a8\u666f<\/a>
\n\u4f5c\u8005\uff1a\u8303\u6bc5\u821c <\/p>\n

\u66f8\u540d\uff1a\u65e5\u672c\u8fd1\u4ee3\u5efa\u7bc9<\/a>
\n\u4f5c\u8005\uff1a\u85e4\u68ee\u7167\u4fe1<\/a> \u8b6f\u8005\uff1a\u9ec3\u4fca\u9298<\/a> <\/p>\n

\u66f8\u540d\uff1a470\u500b\u5efa\u7bc9\u8a2d\u8a08\u306e\u5275\u610f\uff06\u767c\u60f3<\/a>
\n\u4f5c\u8005\uff1a\u6bcf\u9031\u4f4f\u5b85\u5236\u4f5c\u6703\/\u5716\u6587 \u8b6f\u8005\uff1a\u5433\u4e43\u6167 <\/p>\n

\u66f8\u540d\uff1aLondon Unfurled<\/a>
\n\u4f5c\u8005\uff1aMatteo Pericoli <\/p>\n

\u66f8\u540d\uff1a\u6771\u65b9\u9020\u5712\u8ad6 A Dissertation on Oriental Gardening<\/a>
\n\u4f5c\u8005\uff1a\u5a01\u5ec9\uff0e\u9322\u4f2f\u65af Sir William Chambers
\n\u8b6f\u8005\uff1a\u90b1\u535a\u821c <\/p>\n

\u66f8\u540d\uff1a\u6bcf\u500b\u4eba\u5fc3\u88e1\u90fd\u4f4f\u8457\u4e00\u5ea7\u57ce\u5e02\uff1a\u5efa\u7bc9\u3001\u8a2d\u8a08\u3001\u65c5\u904a\u9054\u4eba\u7684\u53f0\u7063\u7a7a\u9593\u65c5\u884c<\/a>
\n\u4f5c\u8005\uff1a\u8b1d\u5b97\u54f2<\/a>\u3001\u5de5\u982d\u5805\u3001\u9ec3\u5a01\u878d\u3001\u738b\u6cbb\u570b\u3001\u8521\u6dd1\u541b\u3001\u6c88\u61b2\u5f70\u3001\u7f85\u66dc\u8fb0<\/a>\u3001\u9ec3\u82e5\u73e3\u3001\u5f35\u5b50\u6d69\u3001\u674e\u4fca\u660e <\/p>\n

\u66f8\u540d\uff1a\u6200\u4eba\u7d6e\u8a9e Fragments d\u2019un discours amoureux<\/a> \u4f5c\u8005\uff1a\u7f85\u862d\uff0e\u5df4\u7279 Roland Barthes \u8b6f\u8005\uff1a\u6c6a\u8000\u9032\u3001\u5289\u4fd0\uff08\u5be9\u8a02\uff09 <\/p>\n

\u66f8\u540d\uff1a\u7c89\u672b\u90fd\u5e02\uff1a\u6d88\u5931\u4e2d\u7684\u9999\u6e2f<\/a>
\n\u4f5c\u8005\uff1aSTELLA SO <\/p>\n

\u66f8\u540d\uff1a\u8996\u89ba\u8207\u5efa\u7bc9 Sight and Architecture<\/a> \u4f5c\u8005\uff1a\u677e\u5ca1\u8070 Satoshi Matsuoka \u3001\u7530\u6751\u88d5\u5e0c Yuki Tamura <\/p>\n

\u66f8\u540d\uff1a\u5f9e\u8a2d\u8a08\u5cf6\u5230\u5275\u610f\u570b\uff1a\u82f1\u570b\u8a2d\u8a08\u5168\u89e3\u78bc Creative Island II<\/a>
\n\u4f5c\u8005\uff1aJohn Sorrell
\n\u8b6f\u8005\uff1a\u5442\u5955\u6b23 <\/p>\n

\u66f8\u540d\uff1a\u6211\u7684\u5c71\u57ce\u6728\u5c4b\u5922<\/a>
\n\u4f5c\u8005\uff1a\u6f02\u4eae\u5bb6\u5c45\u7de8\u8f2f\u90e8
\n\u51fa\u7248\u793e\uff1a\u9ea5\u6d69\u65af <\/p>\n

\u66f8\u540d\uff1a\u56de\u9109\u84cb\u623f\u5b50 \u5c71\u6c34\u7530\u5712\u81ea\u5b85\u5922<\/a>
\n\u4f5c\u8005\uff1a\u6f02\u4eae\u5bb6\u5c45\u7de8\u8f2f\u90e8
\n\u51fa\u7248\u793e\uff1a\u9ea5\u6d69\u65af <\/p>\n

\u66f8\u540d\uff1a\u65c5\u884c\u4e0a\u766e\u8005 Fresh-Air Fiend:travel writings, 1985-2000<\/a>
\n\u4f5c\u8005\uff1aPaul Theroux
\n\u51fa\u7248\u793e\uff1a\u99ac\u53ef\u5b5b\u7f85 <\/p>\n

\u66f8\u540d\uff1a\u5370\u5ea6\u4ee5\u4e0b\uff0c\u98a8\u666f\u4ee5\u4e0a\u3002<\/a>
\n\u4f5c\u8005\uff1a\u8239\u6a4b<\/a>\u5f70
\n\u51fa\u7248\u793e\uff1a\u8c93\u982d\u9df9 <\/p>\n

\u66f8\u540d\uff1aPaula Scher: MAPS<\/a>
\n\u4f5c\u8005\uff1aPaula Scher <\/p>\n

\n\"\u5716\u6a94\"<\/p>\n

\u73a9\u7269\u5c1a\u5fd7 <\/p>\n

\u7269\u540d\uff1aModern Architecture Game \u73fe\u4ee3\u5efa\u7bc9\u904a\u6232<\/a> <\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u9f94\u66f8\u7ae0\u63a8\u85a6\uff0c\u5efa\u7bc9\u4eba\u5fc5\u8b80\u7684\u4e2d\u6587\u66f8\u55ae<\/h2>\n

\u66f8\u540d\uff1a\u300a\u7a7a\u9593\u3001\u6642\u9593\u3001\u5efa\u7bc9\u300bSpace, Time and Architecture: The Growth of a New Tradition<\/a>
\n\u4f5c\u8005\uff1a\u57fa\u8fea\u6069Siegfried Giedion <\/p>\n

\u66f8\u540d\uff1a \u300a\u5efa\u7bc9\u7684\u4e03\u76de\u660e\u71c8\u300bThe Seven Lamps of Architecture<\/a>
\n\u4f5c\u8005\uff1a\u7f85\u65af\u91d1John Ruskin <\/p>\n

\u66f8\u540d\uff1a\u300a\u9081\u5411\u65b0\u5efa\u7bc9\u300bVers une Architecture
\n\u4f5c\u8005\uff1aLe Corbusier<\/a> \u67ef\u6bd4\u610f<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u6a21\u77e9\u8ad6\u300bThe Modular \u4f5c\u8005\uff1aLe Corbusier<\/a> \u67ef\u6bd4\u610f<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u5149\u8f1d\u57ce\u5e02\u300b The Radiant City
\n\u4f5c\u8005\uff1aLe Corbusier<\/a> \u67ef\u6bd4\u610f<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u5305\u6d69\u65af\u300b Bauhaus(1984)<\/a>
\n\u4f5c\u8005\uff1a\u61f7\u7279\u4f5b\u5fb7 Frank Whitford <\/p>\n

\u66f8\u540d\uff1a\u300a\u5f9e\u5305\u6d69\u65af\u5230\u6211\u5011\u7684\u623f\u5b50\u300b From Bauhaus to Our House
\n\u4f5c\u8005\uff1a\u6e6f\u59c6\u6c83\u723e\u592b Tom Wolfe <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u4e2d\u7684\u8907\u96dc\u8207\u77db\u76fe\u300bComplexity and Contradiction in Architecture
\n\u4f5c\u8005\uff1a\u8303\u88d8\u5229 Robert Venturi <\/p>\n

\u66f8\u540d\uff1a\u300a\u5411\u62c9\u65af\u7dad\u52a0\u65af\u5b78\u7fd2\u300bLearning from Las Vegas \u4f5c\u8005\uff1a\u8303\u88d8\u5229 Robert Venturi <\/p>\n

\u66f8\u540d\uff1a\u300a\u57ce\u5e02\u5efa\u7bc9\u300bThe Architecture of the City
\n\u4f5c\u8005\uff1aAldo Rossi \u7f85\u897f <\/p>\n

\u66f8\u540d\uff1a\u300a\u4e00\u500b\u79d1\u5b78\u7684\u81ea\u50b3\u300b A SCIENTIFIC AUTOBIOGRAPHY
\n\u4f5c\u8005\uff1aAldo Rossi \u7f85\u897f <\/p>\n

\u66f8\u540d\uff1a\u300a\u72c2\u8b6b\u7d10\u7d04\u300bDelirious New York<\/a>
\n\u4f5c\u8005\uff1aRem Koolhaas<\/a> \u5eab\u54c8\u65af<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u5c0f\u3001\u4e2d\u3001\u5927\u3001\u8d85\u5927\u300bS, M, L, XL<\/a>
\n\u4f5c\u8005\uff1aRem Koolhaas<\/a> \u5eab\u54c8\u65af<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u4f0a\u6771\u8c4a\u96c4\u7684\u5efa\u7bc9\u8ad6\u6587\u9078\uff1a\u884d\u751f\u7684\u79e9\u5e8f\u300b<\/a>
\n\u4f5c\u8005\uff1aToyo Ito<\/a> \u4f0a\u6771\u8c4a\u96c4<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u540d\u8a5e\uff1a\u5f35\u6c38\u548c\u7684\u4f5c\u6587\u672c\u300b
\n\u4f5c\u8005\uff1a\u5f35\u6c38\u548c <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u52d5\u8a5e\uff1a\u5f35\u6c38\u548c\uff0e\u975e\u5e38\u5efa\u7bc9\u4f5c\u54c1\u96c6\u300b
\n\u4f5c\u8005\uff1a\u5f35\u6c38\u548c <\/p>\n

\u66f8\u540d\uff1a\u300a\u81ea\u7136\u7684\u5efa\u7bc9\u300b
\n\u4f5c\u8005\uff1a\u9688\u7814\u543e<\/a> Kengo Kuma<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u8ca0\u5efa\u7bc9\u300b
\n\u4f5c\u8005\uff1a\u9688\u7814\u543e<\/a> Kengo Kuma<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u5341\u5b85\u8ad6\u300b<\/a> \u4f5c\u8005\uff1a\u9688\u7814\u543e<\/a> Kengo Kuma<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u5f8c\u73fe\u4ee3\u4e3b\u7fa9\u8207\u6587\u5316\u7406\u8ad6\u300b
\n\u4f5c\u8005\uff1aFredric Jameson <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u5927\u5e2b\u8ac7\u5efa\u7bc9\u5927\u5e2b\u300b
\n\u4f5c\u8005\uff1aSusa<\/a>n Gray <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u8a55\u8ad6\u8ad6\u6587\u96c6\uff1a\u73fe\u4ee3\u5efa\u7bc9\u8207\u6b77\u53f2\u8b8a\u9077\u300b
\n\u4f5c\u8005\uff1aAlan Colquhoun\uff0c\u65bd\u690d\u660e\u8b6f \u300a\u54c8\u4f5b\u5927\u5b78\u5efa\u7bc9\u7cfb\u7684\u516b\u5802\u8ab2\uff1a\u516b\u4f4d\u7576\u4ee3\u5efa\u7bc9\u5e2b\u4f5c\u54c1\u7684\u7406\u8ad6\u7126\u616e\u53ca\u8a2d\u8a08\u7b56\u7565\u300b <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u7684\u6a21\u5f0f\u8a9e\u8a00(A Pattern Language)\uff0f \u6a21\u5f0f\u8a9e\u5f59\u4e4b\u518d\u73fe\u300b
\n\u4f5c\u8005\uff1aALEXANDER, CHRISTOPHER\uff0c\u516d\u5408 <\/p>\n

\u66f8\u540d\uff1a\u300a\u8089\u9ad4\u8207\u77f3\u982d\uff08FLESH AND STONE\uff09\u300b
\n\u4f5c\u8005\uff1a\u7406\u67e5\uff0e\u6851\u5167\u7279\uff0c\u7de8\uff0f\u8b6f\u8005\uff0f \u9ec3\u715c\uff0c\u9ea5\u7530\u51fa\u7248\u793e <\/p>\n

\u66f8\u540d\uff1a\u300a\u5275\u610f\u57ce\u5e02\u300b
\n\u4f5c\u8005\uff1aCharles Landry \uff0c\u694a\u5e7c\u862d\u8b6f <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u5341\u66f8\u300b
\n\u4f5c\u8005\uff1a\u7dad\u7279\u9b6f\u5a01\u723e <\/p>\n

\u66f8\u540d\uff1a\u300a\u5713\u9802\u7684\u6545\u4e8b\uff1a\u6587\u85dd\u5fa9\u8208\u5efa\u7bc9\u53f2\u7684\u4e00\u9801\u50b3\u5947\u300b
\n\u4f5c\u8005\uff1aRoss King\uff0c\u5433\u5149\u4e9e\u8b6f\uff0c\u8c93\u982d\u9df9\u51fa\u7248\uff0c2002 <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u7684\u73fe\u4ee3\u8a9e\u8a00\u300b
\n\u4f5c\u8005\uff1aBruno Zevi, \u65bd\u690d\u660e\u8b6f, \u7530\u5712\u57ce\u5e02 <\/p>\n

\u66f8\u540d\uff1a\u300a\u5efa\u7bc9\u7a7a\u9593\u8ad6\u300b
\n\u4f5c\u8005\uff1aBruno Zevi, \u65bd\u690d\u660e\u8b6f, \u7530\u5712\u57ce\u5e02 <\/p>\n

\u66f8\u540d\uff1a\u300a\u5b8c\u7f8e\u7684\u623f\u5b50\u2500\u8ffd\u5c0b\u6587\u85dd\u5fa9\u8208\u5927\u5e2b\u5e15\u62c9\u5e95\u6b50\u7684\u5efa\u7bc9\u4e4b\u65c5\u300b
\n\u4f5c\u8005\uff1a <\/p>\n

\u66f8\u540d\uff1a\u300a\u5e78\u798f\u5efa\u7bc9\u300b
\n\u4f5c\u8005\uff1a\u827e\u502b\uff0e\u72c4\u6ce2\u9813\uff08Alain de Botton\uff09\uff0c\u9673\u4fe1\u5b8f\u8b6f\uff0c\u5148\u89ba\u51fa\u7248\uff0c2007 <\/p>\n

\u66f8\u540d\uff1a\u300a\u975c\u8b10\u8207\u5149\u660e: \u8def\u6613\uff0e\u5eb7\u7684\u5efa\u7bc9\u7cbe\u795e\u300bLouis I. Kahn<\/a>
\n\u4f5c\u8005\uff1aJohn Lobell\uff0c\u6210\u5bd2\u8b6f\uff0c\u806f\u7d93\u51fa\u7248\uff0c2007 <\/p>\n

\u66f8\u540d\uff1a\u5149\u5f71\u4ea4\u821e\u77f3\u982d\u8a18\uff1a\u5efa\u7bc9\u5e2b\u674e\u4f2f\u65af\u91d1\u56de\u61b6\u9304<\/a>
\n\u4f5c\u8005\uff1aDaniel Liebskind \uff0c\u5433\u5bb6\u6046\uff0c\u6642\u5831\u51fa\u7248\uff0c2006 <\/p>\n

\u66f8\u540d\uff1a\u300a\u5361\u7f85\uff0e\u53f2\u5361\u5e15\uff1a\u7a7a\u9593\u4e2d\u6d41\u52d5\u7684\u8a69\u6027\u300bCarlo Scarpa<\/a>
\n\u4f5c\u8005\uff1a\u891a\u745e\u57fa<\/a> <\/p>\n

\u66f8\u540d\uff1a\u300a\u738b\u5927\u958e: \u6c38\u6046\u7684\u5efa\u7bc9\u8a69\u4eba\u300b<\/a> \u4f5c\u8005\uff1a\u5f90\u660e\u677e \u66f8\u540d\uff1a\u300a\u9280\u8272\u7684\u6708\u7403\u300b<\/a> \u4f5c\u8005\uff1a\u738b\u5927\u958e<\/a> \u66f8\u540d\uff1a\u300a\u674e\u627f\u5bec\u8207\u5fb7\u570b\u6709\u6a5f\u5efa\u7bc9\u300b<\/a> \u4f5c\u8005\uff1a\u5b6b\u5168\u6587\/ \u90b1\u73ee\u541b \u66f8\u540d\uff1a\u300a\u5b89\u85e4\u5fe0\u96c4<\/a>\u8ad6\u5efa\u7bc9\u300b \u66f8\u540d\uff1a\u300a\u7368\u7279\u7269\u4ef6\u2500\u5efa\u7bc9\u8207\u54f2\u5b78\u7684\u5c0d\u8a71\u300b <\/p>\n

\u66f8\u540d\uff1a\u300a\u5f9e\u6416\u7c43\u5230\u6416\u7c43\uff1a\u7da0\u8272\u7d93\u6fdf\u7684\u8a2d\u8a08\u63d0\u6848\u300b
\n\u4f5c\u8005\uff1aWilliam McDonough\u3001Michael Braungart <\/p>\n

\u66f8\u540d\uff1a\u300a\u90fd\u5e02\u7684\u793e\u6703\u5b78: \u793e\u6703\u986f\u9732\u8868\u8c61\u7684\u6642\u523b\u300b \u66f8\u540d\uff1a\u300a\u95dc\u65bc\u73fe\u4ee3\u5efa\u7bc9\u768416\u7ae0\u300b \u4e94\u5341\u5d50\u592a\u90ce\u8457 \u66f8\u540d\uff1a\u300a\u85dd\u8853\u8207\u57ce\u5e02\u2500\u7368\u7acb\u7b56\u5c55\u4eba\u5341\u4e94\u5e74\u7684\u8ecc\u8de1\u300b \u5357\u689d\u53f2\u751f \u66f8\u540d\uff1a\u300a\u539f\u7814\u54c9\u2500\u8a2d\u8a08\u4e2d\u7684\u8a2d\u8a08\u300b(DESIGN OF DESIGN) \u4f5c\u8005\uff1a\u539f\u7814\u54c9, \u9ec3\u96c5\u6587\u8b6f, \u9f8d\u6eaa\u51fa\u7248, 2007 \u66f8\u540d\uff1a\u300a\u8207\u8a2d\u8a08\u5411\u524d\u884c\u300b \u4f5c\u8005\uff1a\u7530\u4e2d\u4e00\u5149 \u66f8\u540d\uff1a\u300a\u8a2d\u8a08\u7684\u89ba\u9192\u300b \u4f5c\u8005\uff1a\u7530\u4e2d\u4e00\u5149 \u66f8\u540d\uff1a\u300a\u51fa\u767c\u9ede1979\uff0d1996\u300b \u4f5c\u8005\uff1a\u5bae\u5d0e\u99ff\uff0c\u9ec3\u97fb\u51e1\u3001\u7ae0\u6fa4\u5100\u8b6f \u66f8\u540d\uff1a\u300a\u6298\u8fd4\u9ede1997 ~ 2008\u300b \u4f5c\u8005\uff1a\u5bae\u5d0e\u99ff\uff0c\u9ec3\u97fb\u51e1\u3001\u7ae0\u6fa4\u5100\u8b6f \u66f8\u540d\uff1a\u300a\u89c0\u770b\u7684\u65b9\u5f0f\u300bWays of Seeing<\/a> \u4f5c\u8005\uff1aJohn Berger \u7d04\u7ff0\uff0e\u4f2f\u683c \u66f8\u540d\uff1a\u300a\u89c0\u770b\u7684\u8996\u754c\u300bThe Sense of Sight<\/a> \u4f5c\u8005\uff1aJohn Berger \u7d04\u7ff0\uff0e\u4f2f\u683c <\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u6e96\u5efa\u7279\u5225\u63a8\u85a6\u66f8\u55ae<\/p>\n

\u66f8\u540d\uff1a\u300a\u8de8\u4e16\u7d00\u5de8\u5927\u5efa\u7bc9\u5de5\u7a0b\uff1a\u6a4b\u6881\u3001\u96a7\u9053\u3001\u6469\u5929\u5927\u6a13\u3001\u5713\u9802\u5efa\u7bc9\u3001\u6c34\u58e9\uff0c5\u5927\u5275\u4e16\u7d00\u5efa\u7bc9\u5de5\u7a0b\u9032\u5316\u53f2 Building Big\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5927\u885b\uff0e\u9ea5\u8003\u5229 David Macau<\/a>lay<\/p>\n

\u66f8\u540d\uff1a\u300a\u8de8\u4e16\u7d00\u5de8\u5927\u5efa\u7bc9\u5de5\u7a0b\uff1a\u6a4b\u6881\u3001\u96a7\u9053\u3001\u6469\u5929\u5927\u6a13\u3001\u5713\u9802\u5efa\u7bc9\u3001\u6c34\u58e9\uff0c5\u5927\u5275\u4e16\u7d00\u5efa\u7bc9\u5de5\u7a0b\u9032\u5316\u53f2 Building Big\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5927\u885b\uff0e\u9ea5\u8003\u5229 David Macau<\/a>lay<\/p>\n

\"\u5716\u6a94\"<\/p>\n

\u6e96\u5efa\u7279\u5225\u63a8\u85a6\u66f8\u55ae(\u975e\u5efa\u7bc9\u985e) <\/p>\n

\u66f8\u540d\uff1a\u300a\u884c\u70ba\uff1a\u66b4\u529b\u3001\u7af6\u722d\u3001\u5229\u4ed6\uff0c\u4eba\u985e\u884c\u70ba\u80cc\u5f8c\u7684\u751f\u7269\u5b78\u300b\uff08Behave: The Biology of Humans at Our Best and Worst\uff09<\/a>
\n\u4f5c\u8005\uff1a \u7f85\u4f2f\uff0e\u85a9\u6ce2\u65af\u57fa Robert M. Sapolsky
\n\u51fa\u7248\u793e\uff1a\u4e09\u91c7 <\/p>\n

\u66f8\u540d\uff1a\u4eba\u751f\u52dd\u5229\u8056\u7d93\uff1a\u5411100\u4f4d\u4e16\u754c\u5f37\u8005\u5b78\u7fd2\u5065\u5eb7\u3001\u8ca1\u5bcc\u548c\u4eba\u751f\u667a\u6167 TOOLS OF TITANS<\/a>
\n\u4f5c\u8005\uff1a \u63d0\u6469\u897f\uff0e\u8cbb\u91cc\u65af Timothy Ferriss
\n\u51fa\u7248\u793e\uff1a\u516b\u65d7\u6587\u5316<\/p>\n

\u66f8\u540d\uff1a\u300a\u6797\u767e\u8ca8\uff1a\u81fa\u5357\u9280\u5ea7\u6469\u767b\u4e94\u68e7\u6a13\u300b<\/a>
\n\u4f5c\u8005\uff1a \u9673\u79c0\u740d, \u59da\u5d50\u9f61
\n\u51fa\u7248\u793e\uff1a\u524d\u885b <\/p>\n

\u66f8\u540d\uff1a\u300a\u751f\u5b58\u768412\u689d\u6cd5\u5247\uff1a\u7576\u4ee3\u6700\u5177\u5f71\u97ff\u529b\u7684\u516c\u5171\u77e5\u8b58\u5206\u5b50\uff0c\u5c0d\u6df7\u4e82\u751f\u6d3b\u958b\u51fa\u7684\u89e3\u65b912 Rules for Life: An Antidote to Chaos\u300b<\/a>
\n\u4f5c\u8005\uff1a \u55ac\u767b\uff0e\u5f7c\u5f97\u68ee Jordan B. Peterson
\n\u8b6f\u8005\uff1a \u5289\u601d\u6f54, \u4f55\u96ea\u7dbe
\n\u51fa\u7248\u793e\uff1a\u5927\u5bb6\u51fa\u7248<\/p>\n

\n\"\u5716\u6a94\"<\/p>\n

\u5730\u65b9\u5275\u751f<\/p>\n

\u66f8\u540d\uff1a\u300a\u53cd\u9020\u518d\u8d77\uff1a\u57ce\u5e02\u5171\u751fING City Commoning\u300b<\/a>
\n\u4f5c\u8005\uff1a \u4faf\u5fd7\u4ec1<\/a>, \u6731\u51a0\u84c1, \u7f85\u79c0\u83ef, \u8607\u777f\u5f3c<\/a>, \u8a31\u701e\u6587, \u66fe\u61b2\u5afb, \u9023\u632f\u4f51, \u65bd\u4f69\u541f, \u7da0\u9ede\u9ede\u9ede\u9ede, \u674e\u4ef2\u5ead, \u6f58\u4fe1\u69ae, \u5f35\u6b63, \u6d77\u8fb0, \u90fd\u5e02\u8fb2\u8015\u7db2, \u674e\u7389\u83ef \u51fa\u7248\u793e\uff1a\u5de6\u5cb8\u6587\u5316 <\/p>\n

\u66f8\u540d\uff1a\u300a\u5730\u65b9\u5275\u751fx\u8a2d\u8a08\u601d\u8003\uff1a\u300c\u91cc\u5c71\u5341\u5e16\u300d\u5be6\u6230\u7bc7 \u91cc\u5c71\u3092\u5275\u751f\u3059\u308b\u300c\u30c7\u30b6\u30a4\u30f3\u7684\u601d\u8003\u300d\u300b<\/a>
\n\u4f5c\u8005\uff1a \u5ca9\u4f50\u5341\u826f
\n\u8b6f\u8005\uff1a \u912d\u821c\u74cf \u51fa\u7248\u793e\uff1a\u4e2d\u885b<\/p>\n

\n\u66f8\u540d\uff1a\u300a\u76f4\u5cf6\u8a95\u751f\uff1a\u5730\u5340\u518d\u751f\u00d7\u4f01\u696d\u884c\u92b7\u00d7\u85dd\u8853\u5be6\u9a57\uff0c\u5f9e\u8352\u6dbc\u5c0f\u5cf6\u5230\u85dd\u8853\u8056\u5730\u768430\u5e74\u5168\u7d00\u9304\u300b<\/a>
\n\u4f5c\u8005\uff1a \u79cb\u5143\u96c4\u53f2 Yuji Akimoto
\n\u8b6f\u8005\uff1a \u6797\u66f8\u5afb
\n\u7e6a\u8005\uff1a \u738b\u5fd7\u5f18\uff08\u5c01\u9762\u8a2d\u8a08\uff09
\n\u51fa\u7248\u793e\uff1a\u81c9\u8b5c<\/p>\n

\n\"\u5716\u6a94\"<\/p>\n

\u9078\u7269\u2571\u6587\u5177<\/h3>\n

SKB\u5f69\u58a8\u96c6INK-220\u92fc\u7b46\u58a8\u6c3430ml \u6afb\u96ea<\/a>
\n\u3010NAKABAYASHI\u3011TACCIA \u7d20\u8cea\u7cfb\u92fc\u7b46\u58a8\u6c34 40ML-\u6843MOMO<\/a> <\/p>\n

\u65e5\u672c\u5beb\u6a02SAILOR\uff0d\u66f8\u6cd5\u85dd\u885340\u5ea6\u92fc\u7b46-\u6d77\u8ecd\u85cd<\/a>
\n\u65e5\u672c\u5beb\u6a02SAILOR\uff0d\u66f8\u6cd5\u85dd\u885340\u5ea6\u92fc\u7b46-\u767d\u8272<\/a>
\n\u65e5\u672c\u5beb\u6a02SAILOR\uff0d\u66f8\u6cd5\u85dd\u885340\u5ea6\u92fc\u7b46-\u7c89\u8272<\/a>
\n\u65e5\u672c\u5beb\u6a02SAILOR\uff0d\u66f8\u6cd5\u85dd\u885340\u5ea6\u92fc\u7b46-\u5496\u5561\u8272<\/a>
\n\u65e5\u672c\u5beb\u6a02SAILOR-\u66f8\u6cd5\u85dd\u885355\u5ea6\u92fc\u7b46-\u7da0<\/a> <\/p>\n

\u8fd1\u5e74\u5beb\u5b57\u98a8\u6f6e\u5927\u8208\uff0c\u9664\u4e86\u7528\u539f\u5b50\u7b46\u3001\u92fc\u7b46\u5beb\u51fa\u7d50\u69cb\u65b9\u6b63\u7684\u786c\u7b46\u5b57\uff0c\u4e00\u7a2e\u53ef\u5beb\u51fa\u66f8\u6cd5\u611f\u7684\u92fc\u7b46\u4e5f\u6f38\u6210\u98a8\u6c23\uff0c\u7a31\u70ba\u300c\u66f8\u6cd5\u5c16\u300d\u3002\u539f\u7406\u662f\u5c07\u92fc\u7b46\u7684\u76f4\u5c16\u6298\u5f4e\u5f8c\uff0c\u589e\u52a0\u66f8\u5beb\u6642\u58a8\u7dda\u7684\u7c97\u7d30\u5dee\u5225\uff0c\u50cf\u662f\u5beb\u6b4c\u5fb7\u9ad4\u7684\u7f8e\u5de5\u5c16\u3001\u65e5\u672c<\/a>\u7684\u9577\u5200\u7814\uff0c\u6216\u662f\u4e2d\u570b\u91cf\u7522\u7684\u7814\u78e8\u5c16\uff0c\u90fd\u662f\u900f\u904e\u7279\u6b8a\u5c16\u982d\u5f97\u4ee5\u5275\u9020\u66f4\u591a\u8b8a\u5316\uff0c\u4e5f\u56e0\u6b64\u53ef\u66f8\u5beb\u51fa\u5145\u6eff\u52c1\u9053\u4e14\u6975\u5177\u500b\u4eba\u98a8\u683c\u7684\u985e\u66f8\u6cd5\u5b57\uff0c\u5728\u92fc\u7b46\u5708\u5f15\u8d77\u4e00\u80a1\u98a8\u6f6e\u3002 <\/p>\n

\u300asun-star\u300bPiri-it! III\u96d9\u7528\u6a19\u793a\u4fbf\u7b8b(LOOK\u7e7d\u7d1b\u9ec3)<\/a>
\n\u300asun-star\u300bPiri-it! III\u96d9\u7528\u6a19\u793a\u4fbf\u7b8b(LOOK\u7e7d\u7d1b\u7da0)<\/a>
\n\u300asun-star\u300bPiri-it! IV\u5bec\u7248\u96d9\u7528\u6a19\u793a\u8cbc(LIKE\u7da0)<\/a>
\n\u300asun-star\u300bPiri-it! IV\u5bec\u7248\u96d9\u7528\u6a19\u793a\u8cbc(\u8981\u78ba\u8a8d\u6843)<\/a>
\n\u300asun-star\u300bPiri-it!\u2161\u96d9\u7528\u6a19\u793a\u4fbf\u7b8b(\u8655\u7406\u9ec3)<\/a>
\n\u300asun-star\u300bPiri-it!\u96d9\u7528\u6a19\u793a\u4fbf\u7b8b(\u8868\u60c5\u9ed1)<\/a> <\/p>\n

\u666e\u666e\u901a\u901a\u7684\u4fbf\u5229\u8cbc\uff0c\u65e5\u672c<\/a>\u4eba\u4e5f\u80fd\u73a9\u51fa\u82b1\u6a23\uff0c\u4ed4\u7d30\u9ede\u770b\uff0c\u4f60\u6703\u767c\u73fe\u6bcf\u4e00\u9801\u4e0a\u90fd\u6709\u4e00\u689d\u300c\u865b\u7dda\u300d\u3002\u6bd4\u5982\u4f60\u9019\u500b\u5730\u65b9\u4e0d\u61c2\u5c31\u8cbc\u500b\u554f\u865f\u3002\u800c\u7576\u4f60\u5f04\u61c2\u4e4b\u5f8c\uff0c\u6cbf\u865b\u7dda\u4e00\u6495\uff0c\u300c\u554f\u865f\u300d\u79d2\u8b8a\u300c\u9a5a\u5606\u865f\u300d\u3002\u540c\u7406\uff0c\u9019\u584a\u5167\u5bb9\u8981\u8a18\u5f97\u770b\uff0c\u8cbc\u500b\u300cLOOK\u300d\uff0c\u770b\u5b8c\u4e00\u6495\u5c31\u8b8a\u6210\u300cOK\u300d\uff0c\u300c\u672a\u5b8c\u6210\u300d\u53ef\u8b8a\u6210\u300c\u5b8c\u6210\u300d\uff0c\u300c\u8981\u78ba\u8a8d\u300d\u8b8a\u6210\u300c\u78ba\u8a8d\u300d\uff0c\u5275\u610f\u5341\u8db3\u54ea\uff01<\/p>\n

\u3010\u65e5\u672cCANARY\u3011HARAC\u7cfb\u5217-Line\u7d19\u88c1\u526a\u5200<\/a> <\/p>\n

\u7372\u5f97\u65e5\u672c<\/a>GOOD DESIGN\u8a2d\u8a08\u734e\uff0c\u8b93\u88c1\u7d19\u6210\u70ba\u4e00\u7a2e\u8da3\u5473\uff0c\u7528\u6ed1\u9f20\u822c\u4e00\u6a23\uff0c\u58d3\u4e0b\u6309\u9215\u5373\u53ef\u88c1\u5207\u7d19\u5f35\uff0c\u81ea\u8f49\u5f0f\u5200\u5203\u8a2d\u8a08\uff0c\u5404\u7a2e\u5f62\u72c0\u66f2\u7dda\u90fd\u64cd\u4f5c\uff0c\u9ad8\u54c1\u8cea\u9676\u74f7\u5200\u5203\u7684\u8010\u4e45\u6027\u6975\u4f73\uff0c\u4e0d\u6703\u751f\u92b9\u3002<\/p>\n","protected":false},"excerpt":{"rendered":"

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