配合之前在板上有關MVRDV的文章一起閱讀，應該更能瞭解他們所做的東西。
立面上九個量體分割
這個是雜誌內簡介的文章，可大概瞭解一下這個案子的內容(點選可放大)
動線部分為橘色部份
量體中間的Sky Courtyard
室內照片
平面分析圖
Circulation Diagram
量體 Diagram
>>相關連結
::MVRDV::
::MVRDV 2004 Madrid Mirador::
MVRDV - Madrdid 郊區集合住宅 Mirador
-
YTC
MVRDV - Madrdid 郊區集合住宅 Mirador
前幾天在Metropolis 八九月號雜誌上看到的MVRDV 2004年剛完成的案子 Mirador 在西班牙 Madrid ，案子的概念主要是都市快速發展下，郊區的集合住宅。主要概念分九個分區，將之垂直化後的組合。
配合之前在板上有關MVRDV的文章一起閱讀，應該更能瞭解他們所做的東西。
立面上九個量體分割
這個是雜誌內簡介的文章，可大概瞭解一下這個案子的內容(點選可放大)
動線部分為橘色部份
量體中間的Sky Courtyard
室內照片
平面分析圖
Circulation Diagram
量體 Diagram
>>相關連結
::MVRDV::
::MVRDV 2004 Madrid Mirador::
配合之前在板上有關MVRDV的文章一起閱讀，應該更能瞭解他們所做的東西。
立面上九個量體分割
這個是雜誌內簡介的文章，可大概瞭解一下這個案子的內容(點選可放大)
動線部分為橘色部份
量體中間的Sky Courtyard
室內照片
平面分析圖
Circulation Diagram
量體 Diagram
>>相關連結
::MVRDV::
::MVRDV 2004 Madrid Mirador::
-
Albert
-
eichi_hsu
明日建築 會呼吸的空中花園
明日建築 會呼吸的空中花園
中國時報(20050808)
http://news.chinatimes.com/Chinatimes/n ... 07,00.html
劉育東（交大建研所教授）
處在高度城市化與工作壓力下的人們，自然嚮往田園生活的悠然及野趣。但通常事與願違，多數人為了工作仍被迫住在高密度發展的城市，且因地價昂貴，又被迫住在無法接近綠地的高樓裡。人生必然如此嗎？建築師能為我們作什麼改善？
面對未來城市中高層建築的生活方式，我們經常有所幻想，有時會浮現如電影「第五元素」與「關鍵報告」的未來城市─集科技、前衛、忙碌、甚至極混亂於一體。而在數位通訊與生物科技一日千里發展下，雖科幻電影的情節似乎逐漸成真，但要住在那樣高效率的「空中都市」我們難免仍有些怕怕。
因此想像中，有時也會懷念起另一種聯想─傳說中西元前6世紀的巴比倫空中花園（ Hanging Gardens of Babylon）。雖然考古學家至今仍未能有明確資料，告訴我們空中花園具體形象，但從流傳至今的文字，得知那是一座集高聳、綠蔭、浪漫、充滿水流與微風「會呼吸的空中花園」。
來自荷蘭的MVRDV3人設計團隊，是我見過把數位科技與永續生態兩種觀念結合最好的建築師。由於他們身處曾經必須與海爭地的荷蘭，MVRDV的設計經常思考人在快速資源匱乏環境中，如何透過精密的生態基礎資料調查、運算與模擬，得以創造出人與動植物均能永續生存的空間（台灣通常稱之為綠建築）。
面對高樓生活空間的嚴肅課題，MVRDV除了創造出高樓層十分綠化的公共觀景與休閒平台，成為當代空中花園外，更利用精密運算與模擬，借用古代風車的意義，善用「風」這個自然資源。在特殊空間處理下，需涼風之處引入風，以便節省能源，不需處則擋掉，以便悠遊駐足。
這次他們為中國時報名家藝言堂發表的兩個個案，就是近期作品中，不論位於慕尼黑形式變化的歐洲專利局或馬德里量體沉穩的聖其那諾高層住宅，都是基於理性分析及電腦模擬，將微風及綠色植物引入建物外牆、平台、閣樓與室內的一座現代「會呼吸的空中花園」。
中國時報(20050808)
http://news.chinatimes.com/Chinatimes/n ... 07,00.html
劉育東（交大建研所教授）
處在高度城市化與工作壓力下的人們，自然嚮往田園生活的悠然及野趣。但通常事與願違，多數人為了工作仍被迫住在高密度發展的城市，且因地價昂貴，又被迫住在無法接近綠地的高樓裡。人生必然如此嗎？建築師能為我們作什麼改善？
面對未來城市中高層建築的生活方式，我們經常有所幻想，有時會浮現如電影「第五元素」與「關鍵報告」的未來城市─集科技、前衛、忙碌、甚至極混亂於一體。而在數位通訊與生物科技一日千里發展下，雖科幻電影的情節似乎逐漸成真，但要住在那樣高效率的「空中都市」我們難免仍有些怕怕。
因此想像中，有時也會懷念起另一種聯想─傳說中西元前6世紀的巴比倫空中花園（ Hanging Gardens of Babylon）。雖然考古學家至今仍未能有明確資料，告訴我們空中花園具體形象，但從流傳至今的文字，得知那是一座集高聳、綠蔭、浪漫、充滿水流與微風「會呼吸的空中花園」。
來自荷蘭的MVRDV3人設計團隊，是我見過把數位科技與永續生態兩種觀念結合最好的建築師。由於他們身處曾經必須與海爭地的荷蘭，MVRDV的設計經常思考人在快速資源匱乏環境中，如何透過精密的生態基礎資料調查、運算與模擬，得以創造出人與動植物均能永續生存的空間（台灣通常稱之為綠建築）。
面對高樓生活空間的嚴肅課題，MVRDV除了創造出高樓層十分綠化的公共觀景與休閒平台，成為當代空中花園外，更利用精密運算與模擬，借用古代風車的意義，善用「風」這個自然資源。在特殊空間處理下，需涼風之處引入風，以便節省能源，不需處則擋掉，以便悠遊駐足。
這次他們為中國時報名家藝言堂發表的兩個個案，就是近期作品中，不論位於慕尼黑形式變化的歐洲專利局或馬德里量體沉穩的聖其那諾高層住宅，都是基於理性分析及電腦模擬，將微風及綠色植物引入建物外牆、平台、閣樓與室內的一座現代「會呼吸的空中花園」。
最後由 eichi_hsu 於 2005-08-08, 10:27 編輯，總共編輯了 2 次。
-
eichi_hsu
MVRDV空間革命團隊 能量無限
MVRDV空間革命團隊 能量無限
中國時報(20050808)
http://news.chinatimes.com/Chinatimes/n ... 06,00.html
丁榮生
這是一所全球年輕設計人，人人稱羨的設計團隊，1991年在鹿特丹開業以來，每件作品思維幾乎都顛覆傳統，但卻獲得評價甚高的讚揚。
他們非透過刻板設計功力跟人家一較長短，卻以田野調查、統計資料來分析過去，也依此探索未來，他們讓統計數字、讓設計說話，而全球設計界對他們最感興趣的是「怎麼會有這種設計發想」，以及「語不驚人死不休的設計成果」；有人認為，與其說MVRDV是一間建築師事務所，不如說是空間革命團隊。
兩男一女的3位成員─Winy Maas、Jacob van Rijs 和 Nathalis Vries，當時幾乎都是30出頭的年輕人，出道時即以柏林的歐盟住宅設計競圖一鳴驚人，更在2000年漢諾威設計的世界博覽會荷蘭館，以一座公園、住宅與畜牧場立體交疊共構，反應荷蘭地少人稠的集約土地運用新未來，獲得大會最有人氣獎，將其聲望推向世界級。
隨後他們在歐盟的各式競圖，屢獲大獎，大家也在每個含括都市設計、建築設計與空間思想革命成就中，與WEST8、NOX等同類型設計團隊，讓世人看到荷蘭年輕人的無限能量。
他們至今最重要的建築是阿姆斯特丹郊區老人住宅，透過長短不一、卻懸臂達10餘公尺的戶外平台，這座高達10樓的集合住宅，是為經濟底層的老人，設計既有集體居住也有個別戶外活動空間，以符合老有所養的長壽生涯之用。據說特地前去參觀的各國人士，看到荷蘭老人在此七顏八色的陽台曬太陽看書報過日子，莫不探聽是何方神聖想出的怪方法。
這是一所全球年輕設計人，人人稱羨的設計團隊，1991年在鹿特丹開業以來，每件作品思維幾乎都顛覆傳統，但卻獲得評價甚高的讚揚。
中國時報(20050808)
http://news.chinatimes.com/Chinatimes/n ... 06,00.html
丁榮生
這是一所全球年輕設計人，人人稱羨的設計團隊，1991年在鹿特丹開業以來，每件作品思維幾乎都顛覆傳統，但卻獲得評價甚高的讚揚。
他們非透過刻板設計功力跟人家一較長短，卻以田野調查、統計資料來分析過去，也依此探索未來，他們讓統計數字、讓設計說話，而全球設計界對他們最感興趣的是「怎麼會有這種設計發想」，以及「語不驚人死不休的設計成果」；有人認為，與其說MVRDV是一間建築師事務所，不如說是空間革命團隊。
兩男一女的3位成員─Winy Maas、Jacob van Rijs 和 Nathalis Vries，當時幾乎都是30出頭的年輕人，出道時即以柏林的歐盟住宅設計競圖一鳴驚人，更在2000年漢諾威設計的世界博覽會荷蘭館，以一座公園、住宅與畜牧場立體交疊共構，反應荷蘭地少人稠的集約土地運用新未來，獲得大會最有人氣獎，將其聲望推向世界級。
隨後他們在歐盟的各式競圖，屢獲大獎，大家也在每個含括都市設計、建築設計與空間思想革命成就中，與WEST8、NOX等同類型設計團隊，讓世人看到荷蘭年輕人的無限能量。
他們至今最重要的建築是阿姆斯特丹郊區老人住宅，透過長短不一、卻懸臂達10餘公尺的戶外平台，這座高達10樓的集合住宅，是為經濟底層的老人，設計既有集體居住也有個別戶外活動空間，以符合老有所養的長壽生涯之用。據說特地前去參觀的各國人士，看到荷蘭老人在此七顏八色的陽台曬太陽看書報過日子，莫不探聽是何方神聖想出的怪方法。
這是一所全球年輕設計人，人人稱羨的設計團隊，1991年在鹿特丹開業以來，每件作品思維幾乎都顛覆傳統，但卻獲得評價甚高的讚揚。
看不到照片-
YTC
資料來源： Arquitectura viva - Issue97
Luis Fernández-Galiano
Housing without City
The problem of housing has become the problem of the city. During the 20th century, the urban mutation spawned by the mechanization of agriculture and the migration from the country to the city gave rise to the so-called 『housing problem'. The areas where industrialization took off had been through it before, and the unhealthy overcrowding of urban masses was the backdrop for the hygienist promise of modern architecture, that fed on the same spirit of renewal and the same moral indignation as the projects of Utopian socialism or the protests of revolutionary marxism in the previous century. In the eve of the 21st, though only in the developed world, housing is no longer a quantitative or health concern, but a qualitative and environmental one: having guaranteed minimal dimensions, effective ventilation and adequate sunlight, the contemporary dwelling suffers from visual mediocrity, routinary programs and anorexic contexts.
With the only exception of the new immigrant lumpenproletariat – that inhabits city centers in conditions that resemble those described by Engels for the English working-class of the first industrial revolution –, the rest of the urban population of the prosperous West does not really face dramatic dilemmas in the field of housing. The real-estate bubble has indeed sent the young out to the most desolate peripheries, and the growing fragmentation of family groups – added to the unstoppable growth of housing for singles – multiplies the demand for smaller dwellings, but this combination of distance and size causes no other inconveniences than long commuting itineraries and a costly atomization of services; a wasteful scattered colonization of the territory that shall be reversed decisively only when forced to do so by the cost of energy, but that in the meantime shows a significant capacity of attraction for residential investment.
This formless hypertrophy of cities with 『garbage urbanism', to form a horizontal Babel of anonymous neighborhoods and lifeless residential developments – similar in their morphological structure to cellular metastases or bacterial cultures –, is the most important challenge for those politicians and citizens striving to design a voluntary geography that could express the genuine nature of the social body through the physical landscape. It is inevitable to think that, regardless of our own wishes, the formal decay of the contemporary city is a faithful reflection of the deterioration of the collective organism: an ailing tissue in which the singular beauty of some architectural pieces seems as pathetic as jewelry on a haggard face. Housing is not a problem that asks for aesthetic experiments or stylistic innovations; it is an urban problem, one of the civitas or the polis, that is, one of citizens and politics. We need more architecture; but, above all, we need more urbanity.
-
站長eaGer
MVRDV 設計之 Edificio Mirador 集合住宅
MVRDV 設計的 Edificio Mirador 位在西班牙馬德里東北邊緣的 PAU de Sanchinarro，為一片廣大未使用的平地，基地週遭由高速公路所圍繞，面臨Guadarrama 山脈，MVRDV 的設計團隊認為應該在此塑造出具有獨特景觀的市郊住宅。
為破除由於設計提案中6層樓封閉的街廓設計所產生過度的制式化感覺，以及可能造成的住民空間幽閉恐懼症，設計者首先確認該集合住宅的容量，將是馬德里Sanchinarro 地區都市發展的新指標。這棟22層建築物將是一座遠距景觀的焦點，也就是郊區的新核心。
所以策略上，設計者提出新的高樓住宅設計模式，期望在比比皆是的制式化城市街廓中，能浮現其特色。 因著現代都市高層高密度住宅的客觀需求，在設計上著力於其公共空間的落實，例如大型的眺望台位於地面40公尺上的高度，提供了居民及社區鄰舍一個社區花園，讓他們可以欣賞到附近的山脈以及天際。這個設計提案，也為新城市環境及其週遭地區，開啟了當地建築的重要風格，因為雖然是新開發區，但塑造建築風格，就此第一棟社區就開啟了先機。
至於大樓所要提供的社區類型，在此一佔地16,000平方米（5300多坪）的地區，容納涵括寬廣且多樣化的緊密住宅類型，將不同的家庭及生活型態結合在一起。這與一般只處理標準家庭單位的住宅群，形成強烈對比，設計者將這些家庭單位群組化，並安置在小型的「大樓」裡。這些「街廓」則成堆地緊密連結在一起，組成一座嶄新高矗「超級街廓」。所以此大樓內的動線流通，其複雜性，有如小型城市般的垂直街道，但也有變形，就如同近郊的住宅群一樣。
位於12樓的戶外空間挑高15米、面積約為550平方米（180坪左右），作為社區廣場及孩童的嬉戲場所，將各式各樣住宅單元內的人們透過此空間串連起來，社區廣場也容許住在附近的鄰居以搭著直達電梯來到此處。此設計構想，提供了特殊的都市機能給鄰近區域，也讓這座大樓在啟用之後，不論居民或從鄰居，不只是視覺辨識的焦點，使用機能上也創造了當地居民的精神核心。這個設計是為156戶公寓提供不同類型的住宅需求，同時有車庫，總樓地板面積高達 25,393,000 平方米（346萬4000坪，面積是含車庫一起計算）。
Sanchinarro is a residential suburb on the north east edge of Madrid. Surrounded by highways, with views towards the Guadarrama Mountains. The building was developed as a reference point for the city extension and region at large, as a counterpoint against the massive uniformity of the surrounding blocks. The 22 level building acts as a frame for the distant landscape. The large lookout at 40 metres above the ground provides inhabitants and neighbours with a community garden and a space from where they can contemplate the skyline. The proposal opens domestic architecture to the new city environment and to its surrounding territories. The Mirador contains a wide variety of compact housing types. In contrast to the serial and rationalist repetition of the standard family unit, the housing units are grouped in small buildings. These blocks, stacked and glued together, make up a new towering superblock. It will provide the neighbourhood area with an unusual urban capacity. The 22 storey Mirador apartment building in Sanchinarro near Madrid is a collection of mini neighbourhoods staked vertically around a semi-public sky-plaza which offers views on the mountains. The 165 apartments are divided in a variety of different types for different life-styles and offer the residents high standards in terms of habitable space, natural light, panoramic views and comfort of fixtures. The building serves as a beacon for the neighbourhood.
The opening of European borders has caused a real estate boom in Spain. Land value has increased enormously, leading to an enormous production of housing. This operation is facilitated in Madrid by giant new neighbourhoods that surround the old city. The architecture of these new cities appears to be rather introverted; compact blocks with small windows surround private patios creating a strong uniformity that opposes the traditionally extraverted Spanish culture.
In PAU de Sanchinarro, one of the new cities situated on the northeast edge of Madrid, two plots are destined to develop a possible escape from the uniformity and claustrophobia of this sea of six-story blocks. In the first escape, the block of houses that surround an inaccessible patio is flipped creating a public patio with a view of the city and the Guadarrama Mountains.
The tower preserves open space needed by the modern city. The large lookout at 40 meters above the ground provides occupants and neighbours with a community garden and a space to contemplate the skyline.
The proposal opens domestic architecture to the new city environment and to its surrounding territories. The semi-public sky plaza is easily accessible with a direct lift connection from the plaza surrounding the building.
This lifted public space is surrounded by different neighbourhoods, a wide variety of compact housing types integrating different social groups and lifestyles. In contrast to the serial and rationalist repetition of the standard family unit, the housing units are grouped in small blocks. These blocks, stacked and glued together, create a new towering superblock.
The slits in between the blocks act as access zones. They are conceived like vertical alleys. Their transformation along each itinerary agglomerates the compendium of typologies that are structured like small suburbs. It leads to a vertical sequence of stairs, halls, platforms, and streets. It creates a vertical neighbourhood.
It becomes the reference point of the neighbourhood. The allowance for the realisation of this building can be seen as a sincere and honest manifestation of Spanish self criticism, an admirable character trait. Perhaps it is an elementary one, especially for a culture that wants to be open, vivid, and cosmopolitan.
為破除由於設計提案中6層樓封閉的街廓設計所產生過度的制式化感覺，以及可能造成的住民空間幽閉恐懼症，設計者首先確認該集合住宅的容量，將是馬德里Sanchinarro 地區都市發展的新指標。這棟22層建築物將是一座遠距景觀的焦點，也就是郊區的新核心。
所以策略上，設計者提出新的高樓住宅設計模式，期望在比比皆是的制式化城市街廓中，能浮現其特色。 因著現代都市高層高密度住宅的客觀需求，在設計上著力於其公共空間的落實，例如大型的眺望台位於地面40公尺上的高度，提供了居民及社區鄰舍一個社區花園，讓他們可以欣賞到附近的山脈以及天際。這個設計提案，也為新城市環境及其週遭地區，開啟了當地建築的重要風格，因為雖然是新開發區，但塑造建築風格，就此第一棟社區就開啟了先機。
至於大樓所要提供的社區類型，在此一佔地16,000平方米（5300多坪）的地區，容納涵括寬廣且多樣化的緊密住宅類型，將不同的家庭及生活型態結合在一起。這與一般只處理標準家庭單位的住宅群，形成強烈對比，設計者將這些家庭單位群組化，並安置在小型的「大樓」裡。這些「街廓」則成堆地緊密連結在一起，組成一座嶄新高矗「超級街廓」。所以此大樓內的動線流通，其複雜性，有如小型城市般的垂直街道，但也有變形，就如同近郊的住宅群一樣。
位於12樓的戶外空間挑高15米、面積約為550平方米（180坪左右），作為社區廣場及孩童的嬉戲場所，將各式各樣住宅單元內的人們透過此空間串連起來，社區廣場也容許住在附近的鄰居以搭著直達電梯來到此處。此設計構想，提供了特殊的都市機能給鄰近區域，也讓這座大樓在啟用之後，不論居民或從鄰居，不只是視覺辨識的焦點，使用機能上也創造了當地居民的精神核心。這個設計是為156戶公寓提供不同類型的住宅需求，同時有車庫，總樓地板面積高達 25,393,000 平方米（346萬4000坪，面積是含車庫一起計算）。
Sanchinarro is a residential suburb on the north east edge of Madrid. Surrounded by highways, with views towards the Guadarrama Mountains. The building was developed as a reference point for the city extension and region at large, as a counterpoint against the massive uniformity of the surrounding blocks. The 22 level building acts as a frame for the distant landscape. The large lookout at 40 metres above the ground provides inhabitants and neighbours with a community garden and a space from where they can contemplate the skyline. The proposal opens domestic architecture to the new city environment and to its surrounding territories. The Mirador contains a wide variety of compact housing types. In contrast to the serial and rationalist repetition of the standard family unit, the housing units are grouped in small buildings. These blocks, stacked and glued together, make up a new towering superblock. It will provide the neighbourhood area with an unusual urban capacity. The 22 storey Mirador apartment building in Sanchinarro near Madrid is a collection of mini neighbourhoods staked vertically around a semi-public sky-plaza which offers views on the mountains. The 165 apartments are divided in a variety of different types for different life-styles and offer the residents high standards in terms of habitable space, natural light, panoramic views and comfort of fixtures. The building serves as a beacon for the neighbourhood.
The opening of European borders has caused a real estate boom in Spain. Land value has increased enormously, leading to an enormous production of housing. This operation is facilitated in Madrid by giant new neighbourhoods that surround the old city. The architecture of these new cities appears to be rather introverted; compact blocks with small windows surround private patios creating a strong uniformity that opposes the traditionally extraverted Spanish culture.
In PAU de Sanchinarro, one of the new cities situated on the northeast edge of Madrid, two plots are destined to develop a possible escape from the uniformity and claustrophobia of this sea of six-story blocks. In the first escape, the block of houses that surround an inaccessible patio is flipped creating a public patio with a view of the city and the Guadarrama Mountains.
The tower preserves open space needed by the modern city. The large lookout at 40 meters above the ground provides occupants and neighbours with a community garden and a space to contemplate the skyline.
The proposal opens domestic architecture to the new city environment and to its surrounding territories. The semi-public sky plaza is easily accessible with a direct lift connection from the plaza surrounding the building.
This lifted public space is surrounded by different neighbourhoods, a wide variety of compact housing types integrating different social groups and lifestyles. In contrast to the serial and rationalist repetition of the standard family unit, the housing units are grouped in small blocks. These blocks, stacked and glued together, create a new towering superblock.
The slits in between the blocks act as access zones. They are conceived like vertical alleys. Their transformation along each itinerary agglomerates the compendium of typologies that are structured like small suburbs. It leads to a vertical sequence of stairs, halls, platforms, and streets. It creates a vertical neighbourhood.
It becomes the reference point of the neighbourhood. The allowance for the realisation of this building can be seen as a sincere and honest manifestation of Spanish self criticism, an admirable character trait. Perhaps it is an elementary one, especially for a culture that wants to be open, vivid, and cosmopolitan.